Yeah, I maintain that a single film-wide color correction in AviSynth will never yield results as good as scene-by-scene work in Avid, FCP, or Color (or any other NLE that has a color-correction function).
Post #464850
- Author
- ChainsawAsh
- Parent topic
- GOUT, Automated Theatrical Colouring, and a Reference Guide
- Link to post in topic
- https://originaltrilogy.com/post/id/464850/action/topic#464850
- Date created
- 17-Jan-2011, 7:23 PM