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If you read the thread, someone mentions the twoface-esque paint being a test so they could shoot both the grey & maroon schemes in one go to compare them on film without having to do two seperate shoots or do some sort of composite.
Ah, here it is (from "Nwerke" on therpf.com):
The half-and-half wasn't the intentional final scheme, just a means to get an in-camera comparison with one take.
So they were using that to decide whether to go with all maroon or all grey.