mcfly89 said:
Here's what I propose: if you can pause the film in the workprinter and take one still with a DSLR (similar to what's been posted, except with careful manual focus and several different exposures which could be combined using the HDR technique to get the full dynamic range of the print), then we can hold that high resolution image up against the GOUT and do a little color correction, and see how it holds up. Wouldn't be expensive or take a lot of time, because we're just talking about one or a couple stills.

I'll try to do that when I get the ESB prints. I don't have the SW prints any more. It's a good idea.