No worries, mate!:-) About the transfer, perhaps I am using the term too loosely. This is what I mean (from Charles de Lauzirika).

The big difference between the Final Cut and the other archival versions is that the Final Cut went through a state-of-the-art 4K digital intermediate process directly scanned from the negative (for the most part) whereas the other cuts on Disc 3 received new hi-def transfers from a traditional telecine process using the best IPs in the Warner archive.

I need to learn about the process by which studios make transfers and masters really. I think I understand the basics, but I need to lean more.