msycamore said:

I'm sure it doesn't, but it is a very interesting and well written document, but you have lived with this score quite some time now, so you are also an expert here;) Have you got any reply from him?

I think "experts" don't like each other if I may say :) And the guy looks to have such an involvement in analysing those recordings, their history and their problems that I'm convinced he won't pay attention to my work.

True that technically I wouldn't bring him nothing new, but having listened to his sample EQ's for "the Asteroid Field" I'm affraid he missed something more important than technical knowledge and appreciation.

... But for what is to call me an expert, just know that I'm unable to talk with a sound enginer so my vision for sound is personal. I have - justly - more a visual or aesthetic way to work with the sound, and I had to learn a lot of things for ESB I may forget soon enough ! I'm just working a piece of Art. My most precious skill for that is observation.

No, I haven't noticed this. Interesting, there seems to be no end to how many f***ups they've done to this score!

Well, it could have been worst. To notice the guys who made the Anthology haven't been helped very much about this it seems.