topdawg193 said:
Was watching ESB today, and something jumped out at me (which I don't think has been mentioned before). It concerns the scene where Luke is hand-standing and levitating nearby objects, and eventually levitates R2.
What struck me as clumsy was that, in the shot where we get a close-up of R2 being lifted off the ground, once he ascends he then just suddenly stops in mid-air unconvincingly, as if he was on a lift/elevator that reached its topmost level. What I was thinking could help with the believability of this shot, was if R2 could 'dip' a little bit in the air after he is lifted up, to make it look as if he's actually floating and is not just on some platform or supported by something else.Pedantic, I know. It's funny some of the things that catch your attention in films, though.
Good point, and seems like it would be fairly easy to do.
Also, I was wondering, what is the game-plan for the Cloud City extended window shots (when Han and co. first arrive, and then when going to lunch with Lando)? Are they being kept, or is the old set being reverted to? I really liked the open-ness those SE additions brought to Cloud City, but I also saw that they caused a lot of continuity errors (one shot featuring the new open windows, the next shot having the old windows, and such).
I think it'd be good if the SE windows could be kept, with the continuity errors somehow fixed around them, rather than going back to the closed-up windows (though I'd encourage removing or de-voluming the new 'lift-noise' in the sound mix that one of these new shots brings; intrudes a little bit too much on the dialogue, I think). Apologies, I know this particular topic has been discussed at length before, but I'm not sure what the final outcome was.
Current state of the SE windows are:
Arrival - open window at end of hallway closed due to close up shots later in the scene where they pause on the stairs, using the GOUT tracked on top of the SE (he released a test video at one point showing this).
Lunch with Lando - Ady has stated that he's keeping the elevator window open in all following shots. Still have no idea how he plans to accomplish this.