adywan said:
I think that its more like sunrise when they arrive and sunset when they leave. The original colouring was a lot lighter in the approach scenes before the SE and then the 2004 version screwed everything up. I've given the scene a few hints that its sunrise in ESB:R

I wouldn't go by the colouring to determine if it is sunrise or sunset though.

Thanks for taking the time to respond to this one and showing those comparisons shots, Adywan. As I'm not quite sure that the previous posts have guessed correctly (as I think another one might be a 'sunrise' too), I'll just say the point is well made about assuming anything regards the colours seen in either the GOUT or SE sunlit shots.

Depite my previously thinking the flow of the movie cut from 'Luke's daytime training', to 'the Falcon's 'sunset' arrival', to 'Luke's night-time departure', then back to 'daytime on Bespin', it's interesting to see that since you view it that the Falcon arrived at 'sunrise' that you've given the scene 'a few hints' that is the case.

That's great and will help to clarify the look of things.

Oh, and that was a neat little clip, oh_riginal. I personally loved that subtle difference in movement, and hope Ady decides to do it too.