adywan said:

RoccondilRinon said:

Was watching ESB:GOUT tonight and made a new observation.

If you look outside the base doors as they’re being closed, it’s very dark outside (you can see twilight on the horizon), but in the next scene (Luke’s vision and Han finding him) it’s still daylight. The distance between the two locations would not be sufficient to explain the difference in light levels; it’d have to be at least a few hundred miles on an Earth-sized planet. If we take the idea that only equatorial Hoth is habitable (borne out in the EU but also by a simple consideration of the basic physics involved), that minimum stretches to 1000 miles. Darkening the second scene would help continuity and also (in my opinion) add tension. Should be quite simple to achieve compared to the rest of what Adywan’s doing for this film. Your thoughts, Ady?

Also when Luke collapses before seeing Kenobi's spirit, I hate how the amount of snow on Luke changes from shot to shot. From a lot to a little and back.

the scene was darkened for the SE. plus twilight would seem a lot lighter when outside due to the snow coverage. i hate the way the amount of snow on luke changes too but there isn't much i can do about it i'm afraid.

Couldn't you just add more of a wind sound to the scene? Then it could seem as if the wind is constantly blowing snow off of his face (since a face is curved it wouldn't stay there even if the wind angle is constant) and then blowing new snow on it. You could also perhaps see if you could add more snow blowing in the wind.