Hey, I lurked this thread from the beginning, and I'm more than willing to help out with what I can. A problem with splitting the film up to color correct is that we all might have different opinions on a way a scene should look, and someone might do one shot one way, and the cutaway might look completely different. I guess we could have one person do all of the Exterior Mos Eisley scenes, for example, so that the walls don't change shades in between shots...

I'd love to do more color correction on your scans. Since I tried to do a basic first pass on the ones I posted, I might just go through and try to perfect each one. We'll see.

And I had problems with the aspect ratio, as 2.2 seemed way too stretched, so I did it at 1.9.