By the way, I've been meaning to congratulate you, Ady, on the Mos Eisley clip you posted awhile back. I know you've been open to suggestions and criticisms from this community, but I honestly couldn't believe there were still some nitpicks about that sequence. Who cares if one alien's eyebrow is raised slightly too high? So what if one shot takes 1/3000th of a second too long to make a transition? I thought the work you did in that clip was incredible, and I can't wait to see the finished product in its entirety.

In particular, the severed arm shot in the cantina was excellent -- I was so focussed on seeing if you had replaced the hand with the flipper yet that I didn't even notice the now-bloodless floor and smoking wound; the fx are seamless. There are a ton of other things I was impressed with, changes that were so subtle I wasn't (and still am not) even sure they were changes: the red astromech droid just outside Docking Bay 94, a slight echo now present in the docking bay, Luke's altered dialogue after exiting the cantina, just to name a few. Truly excellent work Ady.