I've updated the initial post to contain screen-shots sourced from an actual encode, instead of a bitmap off my time-line in premiere. So this is what it actually looks like and would look like on DVD. There's oodles of little flukes to go back and fix, but those are some screen-shots of where things have improved.
A friend of mine and I watched my ESB edit on his big screen TV. Obviously I saw all the places where I need to improve, but the overall experience of seeing something I made on somebody else's screen was awesome
