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Harry Potter and the Deathly Hallows - my fan screenplay — Page 2

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Well, in that case he simply would do it because, like you said, that is the way it's supposed to be. He's going to be nudged in that direction by fate or a space-time continuum preservation mechanism, or what have you... In that case, yeah, there does seem to be the wheels of something bigger turning. So, yeah, you're pretty much right on the money there, and I have to concede a little bit.

This is getting off Harry Potter and into my own philosophies, but I have always been of the mind that just because, in my mind, there's a divine plan, that does not negate the possibility or the importance of free will. Just because it is predestined what someone does, does that really keep him from making a choice? Most of the time, except for fictional examples mostly, no one's going to know what that predestined outcome will be, so it doesn't enter into the equation of choice. It's even dealt with in Harry Potter. We have the prophecies. In this case, Dumbledore states that they are not infallible, but that, in the case of Harry and Voldemort, they are self-fulfilling because Voldemort chooses to act upon them. It's a self-fulfilling prophecy. It's something that is predestined but only through someone's choice. There are many examples of this in literature and drama, like Oedipus. In this case, obviously, the Greeks believe in predestiny exclusively, but it's always one's choices that bring about their doom. There are some who would say that no matter what happened, fate would twist its way around to make sure that Oedipus killed Laertes and married Iocasta, but I'm not sure I believe that. I think it's more that the prophecy was able to take into account how Laertes and Iocasta (and later Oedipus) would interpret the prophecy and how they would react to it. Had they not gone crazy and taken those specific steps to prevent it, the outcome probably wouldn't have happened. But it knew they would choose to behave a certain way. I know that's not what the Greeks had in mind, but that's how I've always figured out the balance between predestination and free will. We just have it easy because, in the real world, we're never forced into a position where we know what will happen to us and then have to decide whether to act on it or leave it alone, and if any of it will make any difference.

There is no lingerie in space…

C3PX said: Gaffer is like that hot girl in high school that you think you have a chance with even though she is way out of your league because she is sweet and not a stuck up bitch who pretends you don’t exist… then one day you spot her making out with some skinny twerp, only on second glance you realize it is the goth girl who always sits in the back of class; at that moment it dawns on you why she is never seen hanging off the arm of any of the jocks… and you realize, damn, she really is unobtainable after all. Not that that is going to stop you from dreaming… Only in this case, Gaffer is actually a guy.

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This is why time travel is impossible.

What’s the internal temperature of a TaunTaun? Luke warm.

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Well, our discussion isn't about whether time travel is possible or not (after all, most things that are "possible" in Harry's world aren't possible in ours!) but whether the notion of time travel introduced in Prisoner of Azkaban worked in the context of the overarching theme of the whole series.