I never said it didn't make the film "his" (Why don't we ask Richard Marquand, Kershner, Kurtz, and the thousands of talented artists and craftsman whose work "no longer exists" what they think of that). But I think with the OOT properly restored, the problem could be solved. I really don't care how he changes things, but I want the OOT remastered and so do many others. Releasing it could make the entire point of this moot. It's really very, very simple.