logo Sign In

The Visual Effects Society Unveils “50 Most Influential Visual Effects Films of All Time”

Author
Time
Hell yeah

Anyone see a PT film in that list.....














didn't think so.

And to add....I can't believe I've seen every movie on that list. Made me wonder how many movies a person watches in an entire life. (Goes to Google...)

Hey look, a bear!

Author
Time
Wow, they messed up on the date Star Wars came out. They list it as 1977, but it came out in 1997. Idiots!

"Every time Warb sighs, an angel falls into a vat of mapel syrup." - Gaffer Tape

Author
Time
All three OT films in the top 50. Good . . . good.

"Now all Lucas has to do is make a cgi version of himself.  It will be better than the original and fit his original vision." - skyjedi2005

Author
Time
I am curious as to how Pirates of the Carribean 2 has been influential in the visual effects area.

"Every time Warb sighs, an angel falls into a vat of mapel syrup." - Gaffer Tape

Author
Time
I'm guessing this list is a bit skewed by a modern movie-going perspective. Though despite not enjoying the second movie too much, I did like its special effects as far as they stood out to me. I will remember that scene with the octopus-headed, pirate captain plopping his lips till the day I die.

"Now all Lucas has to do is make a cgi version of himself.  It will be better than the original and fit his original vision." - skyjedi2005

Author
Time
King Kong ('33) is less influential than Tron?
Author
Time
The thing about effects these days, I really don't see them being influential. Even if they are some pretty impressive effects, there are going to be better ones a few months down the road. I really don't see films like POTC 2 or Peter Jackson's King Kong influencing anything. Back in the day you had pinoneering films, like the old King Kong or Star Wars that blew people away. Today in our world filled with CG fests, I am no longer impressed. I guess we are not given the chance to be impressed any more.

"Every time Warb sighs, an angel falls into a vat of mapel syrup." - Gaffer Tape

Author
Time
I like it that way. Let effects supervisors and technicians worry about impressive visuals, I want good stories where the visuals only serve to heighten our minds and emotions. The original Star Wars and Empire Strikes Back were perfect movies in this regard (especially ESB). The special effects were amazing for their time, but they took a lot of time and care to create and people naturally put their hearts and souls into the work as a result. Modern special effects are fed into a computer and spit back out in the space of a few hours, and nobody cares about the subtlety of the art.

"Now all Lucas has to do is make a cgi version of himself.  It will be better than the original and fit his original vision." - skyjedi2005

Author
Time
To add: the modern use of special effects seems limited to sugared-up light shows.

"Now all Lucas has to do is make a cgi version of himself.  It will be better than the original and fit his original vision." - skyjedi2005

Author
Time
If you've ever seen the Behind the scenes for Pirates 2, they really did some groundbreaking motion capture work with Bill Nighy, allowing him to perform in frame with the actors in the takes as he was being motion captured. The dot work on his face captured every subtle twitch and nuance of his movements. It allowed for some spontaneous direction and interactivity that was not possible with past digital performances.

http://twitter.com/TheMagnoliaFan

http://www.youtube.com/user/magnoliafan78

Author
Time
Davey Jones was played by Bill Nighy? That's awesome. I had no idea.

He was very good in Shaun of the Dead.

"Now all Lucas has to do is make a cgi version of himself.  It will be better than the original and fit his original vision." - skyjedi2005

Author
Time
I like seeing POTC 2 on that list. Davey Jones was incredible. But I really think Star Wars Episode I should be there, as Jar-Jar's animation was pretty groundbreaking for 90's special effects work, and you know, him being the first CG main character in a live-action movie. (Forget how annoying he was.) Somebody should count how many films on that list were done by ILM.

My Projects:
[Holiday Special Hybrid DVD v2]
[X0 Project]
[Backstroke of the West DVD]
[ROTS Theatrical DVD]

Author
Time
Yeah, PHANTOM MENACE should definitely get a mention. It broke alot of new ground.

Not sure what THE TERMINATOR brought to the table that wasn't already there.

Can't think of any really interesting visual effects in AN AMERICAN WEREWOLF IN LONDON - unless, of course, they're talking about the make-up. But then if effects make-up is included, they're making alot of ommissions - notably THE THING (1982).
Author
Time
"All three OT films in the top 50. Good . . . good."



"King Kong ('33) is less influential than Tron?"

As awesome as Tron is to me, it is a very unique film in many regards. King Kong had effects that were used in many films afterwards. While Tron used a great deal of CGI, I don't think it was the first (for example, the "Genesis effect" in Star Trek II that same year.) The Last Starfighter came out two years later, but it was being worked on at that time (and Lucas turned down an offer from the company doing that animation to use some in the SW films.)

"as Jar-Jar's animation was pretty groundbreaking for 90's special effects work"

Not only was the animation of Jurassic Park (#5) sufficient, but the other reason why Ep. I isn't there for character animtion was actually answered by this question:
Not sure what THE TERMINATOR brought to the table that wasn't already there.


http://www.mobygames.com/images/portraits/large/1002470054-00.jpg http://www.pbs.org/wgbh/nova/specialfx2/images/1990t2.jpeg
http://www.actuacine.net/Wallpapers/Wall_T1000.jpg

I know it seems old to us now, but this was the shit back in the day.


"Yeah, PHANTOM MENACE should definitely get a mention. It broke alot of new ground."

Not much more than variations on a theme. There were plenty of films with effects from plenty other effects houses (sometimes even better) coming out before and after the PT. Evolutionary vs. revolutionary.

BTW, I'm really grateful to see "A Trip to the Moon" there. That's awesome.

<span class=“Italics”>MeBeJedi: Sadly, I believe the prequels are beyond repair.
<span class=“Bold”>JediRandy: They’re certainly beyond any repair you’re capable of making.</span></span>

<span class=“Italics”>MeBeJedi: You aren’t one of us.
<span class=“Bold”>Go-Mer-Tonic: I can’t say I find that very disappointing.</span></span>

<span class=“Italics”>JediRandy: I won’t suck as much as a fan edit.</span>

Author
Time
Originally posted by: MeBeJedi
"All three OT films in the top 50. Good . . . good."


"Yeah, PHANTOM MENACE should definitely get a mention. It broke alot of new ground."

Not much more than variations on a theme. There were plenty of films with effects from plenty other effects houses (sometimes even better) coming out before and after the PT. Evolutionary vs. revolutionary.

BTW, I'm really grateful to see "A Trip to the Moon" there. That's awesome.


Honestly this list is pretty average at best, and if we are going to use "variations on a theme" as the criteria for inclusion on the list then Fellowship of the Ring has no business being on this list, nor does Jedi for that matter... I'll give you Empire because of the advent of "go-motion", but why is the Terminator on this list??? At best average makeup effects (even for the time), along with cheesy front projection work. How is Ghostbusters groundbreaking??? And I'm sorry you're going to include Jackson's Kong and not include ROTS? Give me a break.


Yancy

Author
Time
Originally posted by: MeBeJedi
I know it seems old to us now, but this was the shit back in the day.


No doubt. But I think he was referring to T1, not T2.

TPM did a lot more than just build on the work of T2. Things like the texture modeling and clothing animation they did for the CG characters were new concepts for a live-action film. And VFX supervisor John Knoll was quoted as saying he had no idea how they were going to do a lot of the shots in the film when they started pre-production.

I guess in the end all I'm saying is that TPM is much more deserving of being on that list than ROTJ.

My Projects:
[Holiday Special Hybrid DVD v2]
[X0 Project]
[Backstroke of the West DVD]
[ROTS Theatrical DVD]

Author
Time
Originally posted by: Zion
Originally posted by: MeBeJedi
I know it seems old to us now, but this was the shit back in the day.


Yeah, I think T2 was pretty damned deserving of being on the list.
Author
Time
Originally posted by: Zion
Originally posted by: MeBeJedi
I know it seems old to us now, but this was the shit back in the day.


No doubt. But I think he was referring to T1, not T2.

TPM did a lot more than just build on the work of T2. Things like the texture modeling and clothing animation they did for the CG characters were new concepts for a live-action film. And VFX supervisor John Knoll was quoted as saying he had no idea how they were going to do a lot of the shots in the film when they started pre-production.

I guess in the end all I'm saying is that TPM is much more deserving of being on that list than ROTJ.


Agreed, TPM was also the first film to create "armies" of CG characters and was the first film to use rudimentary AI to give orders to those armies. It was the first movie to have a completely CG main character (Years before the Two Towers), and TPM was the first film to make extensive use of realistic virtual sets (sorry the 5th Element doesn't cut it here)... Sorry, I know this pains prequel bashers but TPM was not "variations on a theme"... and in fact I would go so far as to say TPM deserves to be in the Top 10 of that list. Most of today's movies owe a lot to ILM's accomplishments for Episode I.

Yancy



Author
Time
Originally posted by: gallandro
Originally posted by: Zion
Originally posted by: MeBeJedi
I know it seems old to us now, but this was the shit back in the day.


No doubt. But I think he was referring to T1, not T2.

TPM did a lot more than just build on the work of T2. Things like the texture modeling and clothing animation they did for the CG characters were new concepts for a live-action film. And VFX supervisor John Knoll was quoted as saying he had no idea how they were going to do a lot of the shots in the film when they started pre-production.

I guess in the end all I'm saying is that TPM is much more deserving of being on that list than ROTJ.


Agreed, TPM was also the first film to create "armies" of CG characters and was the first film to use rudimentary AI to give orders to those armies. It was the first movie to have a completely CG main character (Years before the Two Towers), and TPM was the first film to make extensive use of realistic virtual sets (sorry the 5th Element doesn't cut it here)... Sorry, I know this pains prequel bashers but TPM was not "variations on a theme"... and in fact I would go so far as to say TPM deserves to be in the Top 10 of that list. Most of today's movies owe a lot to ILM's accomplishments for Episode I.

Yancy


Not disagreeing, but I think that it's difficult to deny the accomplishments of the Rings films (or their flaws; I can see both). The Massive Engine took the armies in intriguing new directions. Not to take anything away from Star Wars.

I'm going out on a limb here to theorize that you are not fond of Jackson and LOTR?

“What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one.”

Neil Postman, Amusing Ourselves to Death

Author
Time
Originally posted by: Mike O

Not disagreeing, but I think that it's difficult to deny the accomplishments of the Rings films (or their flaws; I can see both). The Massive Engine took the armies in intriguing new directions. Not to take anything away from Star Wars.

I'm going out on a limb here to theorize that you are not fond of Jackson and LOTR?


No actually I think Jackson is a good director and I thoroughly enjoyed Fellowship and Two Towers (really disliked ROTK and felt by the end it was collapsing under it's own weight). Frankly. Fellowship's effects are a very mixed bag. Now if you want to put Two Towers on that list I have no problems at all. Two Tower's use of the Massive Engine was revolutionary and Gollum was a huge evolution in fully realized digital characters. But for this "society" to snub TPM like that is just seriously misguided.

EDIT: I had to add a couple of things after going over that list... actually I will retract my statement that the list was average at best... this list is horrid due to a number of huge omissions on this list. Where is Young Sherlock Holmes??? with it's first ever CG character (the stained-glass knight). Where's Dragonslayer??? with ILM's major evolution of go-motion for the dragon which was a technique used throughout the 80s and into the 90s. Why is the Matrix on this list??? and if you're going to use "bullet-time" as the reason for it's inclusion, well bullet-time was being used in commercials almost a year before the Matrix and Lost In Space (not the Matrix) was first feature film to use the effect.

Yancy

Author
Time
I probably would've included Phantom Menace, but I understand why it's missing. I think the effects guys are factoring in how "good" the movie is, not just the technical advances. They're not influential if no one remembers them or likes them. Hence, no Sherlock Holmes or Dragonslayer. (I remember a lot of effects guys, usually while praising The Matrix, saying the effects actually hurt Phantom Menace more than helped it)
Author
Time
A decent list. I'm surprised to see T2 all the way down in 14th place, though. I agree that having Tron ahead of King Kong is a little odd, too, even if they're only separated by one place. Both were amazing in their time, though, and I still think Tron looks great! Nothing else looks like it, except for that new Honda Civic ad.

My crazy vinyl LP blog

My dumberer blog

My Retro blog

Author
Time
Originally posted by: gallandro It was the first movie to have a completely CG main character (Years before the Two Towers)


Wrong. The first movie featuring a completely CG main character is Dragonheart which came out 3 years earlier than Phantom Menace.

If I would be picky, I could also refer to the MCP from Tron.
Author
Time
Interesting list, but there are some choices which I strongly disagree with:


Dragonheart is missing! It featured the first full CGI main character along a real life actor in a real environment! Idiots...

Blade Runner being before 2001: A Space Odyssey. 2001 was a gigantic milestone in special effects, which may indeed having been a much bigger influence than Star Wars..

Metropolis was also a major breakthrough in special effects, and doesn't deserve a place behind films like Close Encounters of the Third Kind and Alien...

Forrest Gump also deserves a higher place, since it is the first movie which incorporated realistic CGI special effects to tell a story, which is very common nowadays.

I wouldn't rank the special effects of "The Terminator" influential at all. T2 however, was also a major breakthrough.


Their problem is, they don't seem to distinguish between most influential special effects and most influential movies. For example, I wouldn't consider Alien a classic because of its special effects, which were standard in 1979. Star Trek: TMP had much more sophisticated special effects. Blade Runner had great Special effects, but the movie was most influential because of its complex theme, cinematography, and atmosphere. 2001 however, is both known for its breakthrough special effects and its complex story.

There are other choices of films which I would consider for this list:

Flowers and Trees (1932) being the first released piece of cinema in full 3 strip Technicolor.
Willow (1987) had the first CGI morphs, which a lot of movies and TV series copied.
Howard the Duck (1986) had the first CGI wire removal (no joke!), which is basically a standard practice today in movies. It is not on the list because hardly anyone knows this fact, or the movie.
Battleship Potemkin (1925) for one of the first demonatrations of the power of cutting.