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Post #286808

Author
Moth3r
Parent topic
MECO's rare ESB 10" record (Released)
Link to post in topic
https://originaltrilogy.com/post/id/286808/action/topic#286808
Date created
16-May-2007, 7:42 AM
Straying off topic, I think the (lossy) compressed/uncompressed debate is interesting.

Obviously if you are doing any audio editing or processing, it makes sense to use the original PCM as a source.

For actual listening, I've seen quite a few members on here who claim they can hear a difference. I can certainly hear the "listening inside an oil drum underwater" type of compression in very low bitrate audio, such as on Youtube videos, but I find any MP3 or AC3 encode with a reasonable bitrate to be transparent. But then, I don't have a hugely expensive hi-fi, and I know my hearing response dips at high frequencies (kids - if you regularly go to nightclubs and value your hearing, wear ear protection, 'k?)

While working on the mono mix, I compared two samples of AC3; one at 448kbps and one at 96kbps. I thought I could percieve a difference - but was that because I knew that sample A was a higher bitrate? (I.e. this wasn't a 'blind' test).

I'm considering doing a blind trial on you lot - it wouldn't "prove" anything because there would be too many variables, but it would be interesting nonetheless. Who's up for that?