TWO setbacks! Especially when the second involves…
Messing with EACH shot in the ENTIRE film to compensate for a stupid Vegas 5.0 glitch that screws the movie up pretty much any time I cut from one shot to another.
Read this
On a somewhat good note, I finally seem to have found a foolproof way to “under-sample” my audio tracks to get the on-set feel. The recordings are still clear, but they sound a little bit more harsh and garbled, which is what I wanted. I can’t wait to work further on these tracks.
Too bad I can’t seem to get past the video encoding stage…