Originally posted by: Moth3r
).
Do you have the japanese laserdisc of TPM? Apparently the 5.1 mix on that disc is more powerful and has better dynamics than the mix that was on the DVD (you could speculate that it was the true theatrical mix, downsampled to 384kbps, rather than the "remixed for the home" effort that was used on the DVD). Therefore, the optimum TPM fan-authored DVD - for those so inclined - would contain HD2DVD downconverted video (because the original video on the NTSC DVDs suffered horrendous edge-enhancement) combined with the AC-3 track sourced from the laserdisc. Just an idea...
Originally posted by: Karyudo
I first captured the AC3 from the 1997 SE in about 2002. I can't believe it's this long later, and I still haven't really done anything with it!
Did you have anything planned for it? It might contain useful material for a 70mm mix re-creation (you and Molly should talk, if you haven't already I first captured the AC3 from the 1997 SE in about 2002. I can't believe it's this long later, and I still haven't really done anything with it!
).Do you have the japanese laserdisc of TPM? Apparently the 5.1 mix on that disc is more powerful and has better dynamics than the mix that was on the DVD (you could speculate that it was the true theatrical mix, downsampled to 384kbps, rather than the "remixed for the home" effort that was used on the DVD). Therefore, the optimum TPM fan-authored DVD - for those so inclined - would contain HD2DVD downconverted video (because the original video on the NTSC DVDs suffered horrendous edge-enhancement) combined with the AC-3 track sourced from the laserdisc. Just an idea...
GREAT idea.