Originally posted by: Dunedain
Laserman: So, if you took this 2,000ft capacity 16mm WorkPrinter that Puggo has and pointed a 1080i video camera (are non-professional video cameras at full 1920x1080i?) at the film frames from each Star Wars 16mm reel, then you'd have a full HD capture of the trilogy ready to be viewed at the films' normal speed on a HD optical disk (after proper compression to fit), right? How would the quality of the capture using this method compare to using a film scanner (I'm assuming Puggo's 400ft. 16mm film scanner can do about 2k resolution)?
Laserman: So, if you took this 2,000ft capacity 16mm WorkPrinter that Puggo has and pointed a 1080i video camera (are non-professional video cameras at full 1920x1080i?) at the film frames from each Star Wars 16mm reel, then you'd have a full HD capture of the trilogy ready to be viewed at the films' normal speed on a HD optical disk (after proper compression to fit), right? How would the quality of the capture using this method compare to using a film scanner (I'm assuming Puggo's 400ft. 16mm film scanner can do about 2k resolution)?
Now *I* am getting confused

A more important point is whether the optics in the WorkPrinter would justify an HD encoding. As good as the WorkPrinter is, it has its limitations... shining a light on the film exposes grain and scratches that are not so prominent on a rank transfer. I'm skeptical that an HD capture on a WorkPrinter would look any better than a standard transfer.