The problem with the SE "journey into Mos Eisley" scenes, particularly that one approach shot, is that there isn't enough sand and dust being blown around like we see everywhere else in the original film. Is there any way to correct this at the editing stage?

Also, I know that they just smeared vaseline on the camera lens whilst filming the speeder moving in '77 (with some corrections for the SE), but I really liked this effect, like there's some kind of shimmery mcguffin power keeping the speeder floating. Surely this could be duplicated for the approach shot?

As others have said: I'm very excited by this edit, and I can't wait to see the whole thing.