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Where do I go from here as a SW fan? — Page 8

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Originally posted by: Mielr
Originally posted by: lordjedi

I snipped most of it because I've read it before and didn't feel the need to requote everything. All I can say is that I've honestly never seen gate weave to that extent on any other DVD I own. It may be there, but I've never noticed it. I also didn't have to have it pointed out to me on this release. As soon as I started up a sample, I saw it. I honestly couldn't believe my eyes. It was like someone was shaking my monitor. I don't have any other DVDs that do this.

I've also never seen this happen at a theater during any movie. I've noticed a slight shake in the beginning on some films, but never to this extent. Again, it was like someone was shaking the monitor.

If that's something that can be corrected, as zombie said it was, then again, there is no reason to release a DVD like that in 2006.
Originally posted by: zombie84
Gate weave is most definitly not part of the film. If you see Casino Royale and it is shaking all over the place--that means the projectionist is a fucking moron and hasn't threaded the film correctly. Watch another film on DVD? Do you see gate weave? Probably not. Gate weave is an artifical flaw introduced in the projection stage due to inadequete equipment. In the case of the GOUT, its a flaw created through the piece of shit transfer--the 1993 telecine didn't hold the film steady as it passed through the scanner, and so the image wobbles. A modern scan would yield a rock-solid image--such as the 2004 dvd.

And yes, the gate weave on the GOUT is pretty bad. Older movies and older telecines had more noticeable gate weave but this problem has been mostly overcome in recent years, although you still see a telecine from time to time (the dvd of Troy is hidious and features many video exposure flaws as well as lots of gate weave).


I'm sorry but gate weave IS part of the film. It is part of the process of a strip of film running through a projector, and the slight side-to-side movement that occurs as the sprocket holes for each frame are taken up.

Perhaps you are watching the DVDs on your computer and sitting too close to the screen? Like I said before, if you LOOK for gate weave, you will see it. And yes, you will usually see it at the beginning of a film because it is more noticeable when you are reading text- it's still there during the rest of the film- it's just not as apparent.

Try sitting further away from your screen I think you'll be surprised at how the gate weave appears to lessen.

I think it hurts our cause to complain about flaws that aren't flaws. There are so many other flaws to complain about- the non-anamorphic issue being the biggest, the aliasing being 2nd.....I can understand how others brush us off as fanatics, when we start complaining about gate weave, film grain, color breathing and other issues inherent of motion picture film.

But again- that's just my 2 cents. Do as you will.


No, gate weave is not part of the film--its a by-product of the projection stage, and its visibility is dependent on human and technological factors, including how well the film is threaded through the projector and how well the projector is built. On lower budgeted formats and projectors there will be some slight weave--ie, 16mm film only has one perf for frame--but it should never be visible. In fact, the most essentially testing phase of the camera prep before a crew shoots a movie is called a registration test, and its the first thing that is done in order to eliminate gate weave being built into the film by making sure that the movement of the camera gate is rock-solid.
Inevitably, when you see a movie in theaters there will be some very minor weave that is only noticeable if you look for it--this has to do with the fact that you are seeing less than ideal prints that are getting a bit banged up, and run by a projectionist that likely is not doing his job to the best of his ability because its just a mutiplex screening that gets done ten times a day. However, if you were to watch a carefully made and thoroughly examined transfer on dvd, you will notice that gate weave is totally absent--in fact, many now use stabalising filters to eliminate even the most subtle of weave to make sure that the image is perfectly still and natural, as it should be.

The GOUT has very bad gate weave that is definitely meritting complaint. However, when you realise it is from a 1993 transfer, this suddenly makes more sense, as the technology back then was not as painstaking as it is now. Unfortunately for Lucasfilm they chose to present a 1993 transfer in 2006 so they get what is coming.
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Originally posted by: generalfrevious
NO RANDY, it's because no other movie in film history has been locked up by its own creator in an attempt to erase memories of a beloved franchise. And when the OOT finally comes out, its given a substandard industry release- which I think is criminal. These discs are not standard DVD quality.


Dude, I'll even give you the Greedo shoots first thing... and maybe the jabba scene.... it all amounts to a few minutes of new stuff... nothing is erased.... especially your memories. If you let a big nothing erase the fun these flicks gave you then you're really stretching and just wasting something that could be and was a lot of fun... it's a shame people flip out over this shit.

Stop acting like these movies are yours and maybe you'll enjoy them again.

"Among many things I have to be thankful for are you, the fans. I know that some of you haven't liked every single thing that I've done with the saga, and that you have a strong sense of ownership over all things Star Wars. But take that passion and devotion and channel it into a creative project of your own."
-George Lucas
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Originally posted by: JediRandy

Dude, I'll even give you the Greedo shoots first thing... and maybe the jabba scene.... it all amounts to a few minutes of new stuff... nothing is erased.... especially your memories. If you let a big nothing erase the fun these flicks gave you then you're really stretching and just wasting something that could be and was a lot of fun... it's a shame people flip out over this shit.

Stop acting like these movies are yours and maybe you'll enjoy them again.



How would you feel if Coppola changed The Godfather scene and had the cop shoot Michael Corleone first and miss and Pacino shoots him out of self defense, to connect his character more like Godfather III where he tries to redeem himself?

I mean it is only a few seconds, yet it is one of the most powerful scenes in movie history. But then again, why should I complain if Coppola changed it, it's not my movie right?
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I'm not saying the movie's mine; Im saying that Lucas should not force us to go along with his revised vision while destroying the original versions for no one to see. Its not because im some SW purist.
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Originally posted by: CO
Originally posted by: JediRandy

Dude, I'll even give you the Greedo shoots first thing... and maybe the jabba scene.... it all amounts to a few minutes of new stuff... nothing is erased.... especially your memories. If you let a big nothing erase the fun these flicks gave you then you're really stretching and just wasting something that could be and was a lot of fun... it's a shame people flip out over this shit.

Stop acting like these movies are yours and maybe you'll enjoy them again.



How would you feel if Coppola changed The Godfather scene and had the cop shoot Michael Corleone first and miss and Pacino shoots him out of self defense, to connect his character more like Godfather III where he tries to redeem himself?

I mean it is only a few seconds, yet it is one of the most powerful scenes in movie history. But then again, why should I complain if Coppola changed it, it's not my movie right?


You're stretching.

Han, no matter how "cool", is secondary character.... his job is to move the main character (Luke) along though his journey.

So to compare Han, a character that they could've and should've killed in ESB (and left it wide open to do so) to the main character of a 3-part epic (Michael) makes no sense.

Han's character arc starts and finishes all in ANH and that includes the “shoots 2nd Han”.

He starts off not giving a shit about the Rebellion… (“I’m not in it for your revolution, sister.”) hence his desire to be paid for rescuing Leia, to leaving before the Death Star attack.

As soon as Han saves Luke during the Trench Run his character has redeemed himself and his character arc is complete. He has once again helped the main character along his (more important) story. And throughout the rest of the trilogy, Han didn’t change while the other main characters did.

His not shooting first doesn't change that. It in no way makes him sympathize with the plights of Luke, Obi and Leia, which is what’s really important to his character, not his shooting a bad guy in a cantina Sergio-Leone-style.
"Among many things I have to be thankful for are you, the fans. I know that some of you haven't liked every single thing that I've done with the saga, and that you have a strong sense of ownership over all things Star Wars. But take that passion and devotion and channel it into a creative project of your own."
-George Lucas
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JediRandy, it is not the point of whose saga it is, cause I agree that Solo is not the main character of SW. My point is many fans like me get chastised for because it is 'only a few seconds' of changes, and I say that isn't fair, cause some of the greatest scenes in movie history are of just a split second.

Luke looking at the binary sunset in ANH is my favorite scene of all 6 movies, it is what SW is about to me, and I get goosebumps everytime that scene comes on screen, but JR, it is only a few seconds as you would say.

Lucas took out Lukes wink to the force ghosts in ROTJ that was there in the O-OT version, but is gone in the SE version, WHY? I am being serious, why would Lucas take out that wink or I would say the little nod to Yoda, Kenobi, and his father? It is only a split second, but it is nice ending to ROTJ?

You can lambast me all you want, but I like the little moments in SW, and the more you tinker a movie like Lucas does, the more you have a chance of finding a particular scene that someone really loved the first time they saw it. That is my problem.
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Originally posted by: JediRandy
Dude, I'll even give you the Greedo shoots first thing... and maybe the jabba scene.... it all amounts to a few minutes of new stuff... nothing is erased.... especially your memories. If you let a big nothing erase the fun these flicks gave you then you're really stretching and just wasting something that could be and was a lot of fun... it's a shame people flip out over this shit.

Stop acting like these movies are yours and maybe you'll enjoy them again.


Excuse me? Sebastian Shaw was erased from ROTJ. So much for "nothing is erased".

Han also goes from a "shoot first, ask questions later" guy to a "shoot only in self defense" guy. Whether you want to believe it or not, those are two very different types of people.
F Scale score - 3.3333333333333335

You are disciplined but tolerant; a true American.

Pissing off Rob since August 2007.
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Originally posted by: CO
JediRandy, it is not the point of whose saga it is, cause I agree that Solo is not the main character of SW. My point is many fans like me get chastised for because it is 'only a few seconds' of changes, and I say that isn't fair, cause some of the greatest scenes in movie history are of just a split second.

Luke looking at the binary sunset in ANH is my favorite scene of all 6 movies, it is what SW is about to me, and I get goosebumps everytime that scene comes on screen, but JR, it is only a few seconds as you would say.

Lucas took out Lukes wink to the force ghosts in ROTJ that was there in the O-OT version, but is gone in the SE version, WHY? I am being serious, why would Lucas take out that wink or I would say the little nod to Yoda, Kenobi, and his father? It is only a split second, but it is nice ending to ROTJ?

You can lambast me all you want, but I like the little moments in SW, and the more you tinker a movie like Lucas does, the more you have a chance of finding a particular scene that someone really loved the first time they saw it. That is my problem.

So all this is because a wink was taken out... 6 plus hours and it comes down to a wink... alright.


Excuse me? Sebastian Shaw was erased from ROTJ. So much for "nothing is erased".

Han also goes from a "shoot first, ask questions later" guy to a "shoot only in self defense" guy. Whether you want to believe it or not, those are two very different types of people.


Yeah, outside of his speaking scene... Shaw doesn't show up anywhere else in the movie at all.

So Han should only shoot first? Did Eastwood ever shoot in self defense in a Leone movie? (he did) Did that take away from his character in the Dollars Trilogy?

The Han shooting first scene is bitching because you no longer think something is as cool as it once was... it didn't change his character at all... Han didn't want to "march into the detention center" and he thought attacking the DS was "suicide"... how come it's ok for him to be a pussy then but not during the Greedo scene?

You zone-in on one scene and forget everything else that happened only because is supports your arguement... the Shaw scene is a perfect example of that... "he was ERASED" from the movie! (except for the scene where he spoke) But he was ERASED I tell you!!! Luca$ is teh Suxxx!
"Among many things I have to be thankful for are you, the fans. I know that some of you haven't liked every single thing that I've done with the saga, and that you have a strong sense of ownership over all things Star Wars. But take that passion and devotion and channel it into a creative project of your own."
-George Lucas
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Wow, you're right. It IS just a few minutes here and there! The special edition isn't just better. It's totally the same! I see the error of my preference. Thanks!
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Originally posted by: Guy Caballero
Wow, you're right. It IS just a few minutes here and there! The special edition isn't just better. It's totally the same! I see the error of my preference. Thanks!


yeah, but its more fun to bitch and moan for years... carry on.
"Among many things I have to be thankful for are you, the fans. I know that some of you haven't liked every single thing that I've done with the saga, and that you have a strong sense of ownership over all things Star Wars. But take that passion and devotion and channel it into a creative project of your own."
-George Lucas
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Okay!
The new victory celebration song is a complete Yanni-new age-aromatherapy fuck fest. (You're right it IS more fun!)
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I will continue to watch my O-OT vhs tapes, and the "bonus" disc in the 2006 release. Yeah the 2006 one was badly done. But I just like to have them on a legal legit dvd. And I have a regular old tv, so I'm not bothered by non-anamorphic, laserdisc transfer ect. Edit- By the way, the lack of touching up if anything gives me the whole nostalgic feel of watching the O-OT. Which is what everyone is screaming for.
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Originally posted by: JediRandy
yeah, but its more fun to bitch and moan for years... carry on.


Nah, it is more fun to watch guys like you interject on people who bitch and moan....carry on.

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Originally posted by: CO
Originally posted by: JediRandy
yeah, but its more fun to bitch and moan for years... carry on.


Nah, it is more fun to watch guys like you interject on people who bitch and moan....carry on.


if anyone needs an interjection.... it's you guys.
"Among many things I have to be thankful for are you, the fans. I know that some of you haven't liked every single thing that I've done with the saga, and that you have a strong sense of ownership over all things Star Wars. But take that passion and devotion and channel it into a creative project of your own."
-George Lucas
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Originally posted by: bigmonkey20
I will continue to watch my O-OT vhs tapes, and the "bonus" disc in the 2006 release. Yeah the 2006 one was badly done. But I just like to have them on a legal legit dvd. And I have a regular old tv, so I'm not bothered by non-anamorphic, laserdisc transfer ect. Edit- By the way, the lack of touching up if anything gives me the whole nostalgic feel of watching the O-OT. Which is what everyone is screaming for.


Why do people always keep repeating "bad picture quality = nostalgic feeling"??? Those epic movies were primarily made for the big screen at a time when home video formats were just about to be available. Thanks to the achievements made in modern digital film restauration during the last years, movies can be restaured back to their former visual appearance. *THIS* is nostalgia, watching the movies how they were supposed to be watched. Not a highly flawed Laserdisc transfer made 13 years ago.

I´m now watching the German Edgar Wallace movies from the 1960´s. ALL anamorphic, and much better picture quality than the OOT DVD release. Klaus Kinski is really a psycho.
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Originally posted by: JediRandy
Originally posted by: Guy Caballero
Wow, you're right. It IS just a few minutes here and there! The special edition isn't just better. It's totally the same! I see the error of my preference. Thanks!


yeah, but its more fun to bitch and moan for years... carry on.


And what is YOUR purpose here on this forum? Obviously bitching and moaning about our bitching and moaning.
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Originally posted by: Vigo
Originally posted by: JediRandy
Originally posted by: Guy Caballero
Wow, you're right. It IS just a few minutes here and there! The special edition isn't just better. It's totally the same! I see the error of my preference. Thanks!


yeah, but its more fun to bitch and moan for years... carry on.


And what is YOUR purpose hear on this forum? Obviously bitching and moaning about our bitching and moaning.


Sorry, didn't mean to offend. And I do agree that they deserve better 100%, but, I just think we're lucky to get them in any release at all. Thus why I've sold off many of my sets and collections. Lucas is a stubborn ass, and most likely won't give in to giving the O-OT work for a PROPER release without putting it with a "better" edited version purposely to say that we got them for "his" versions. Edit- Bah, quoted the wrong thing. Oh well. That was to you Vigo, sorry again.
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Originally posted by: bigmonkey20
Sorry, didn't mean to offend. And I do agree that they deserve better 100%, but, I just think we're lucky to get them in any release at all. Thus why I've sold off many of my sets and collections. Lucas is a stubborn ass, and most likely won't give in to giving the O-OT work for a PROPER release without putting it with a "better" edited version purposely to say that we got them for "his" versions.


I´m not saing anything against people who want to get these releases. I can completely understand people who want them on DVD. I am however, saying something against people who are heavily downplaying the quality issue of this release. Saying things like "we´re lucky to get them at all" makes me feel sad. People demanding a very rare horror flick in a uncut version on DVD usually make such requests. But not fans of the biggest movie franchise of the world.
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I agree, and it's sad that we have to. Didn't mean to downplay, I just think to me it's a situation of "It's bad, but could be a hell of alot worse." Which also shouldn't have to happen either.
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Originally posted by: bigmonkey20
I agree, and it's sad that we have to. Didn't mean to downplay, I just think to me it's a situation of "It's bad, but could be a hell of alot worse." Which also shouldn't have to happen either.


For me , it´s just the situation "It´s bad". Everything can get worse.
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Seen many more of my childhood movies go unloved, Star Wars should have the premium treatment of all versions. If there HAS to be a changed one, atleast make the originals just as good visually and sound. But like alot of my favorites, those will always be in for making a couple bucks. Just like say one of my favorites, Friday the 13th 1, in the boxed set, they give us the cut version, instead of full uncut which is still tame by todays standards. And just put the uncut scenes in a freaking bonus disc.
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For me , it´s just the situation "It´s bad". Everything can get worse


Oh yeah, that's absolutely right; what's happening to SW is like Michaelangelo burning the sistine chapel because he was originally dissatisfied with his work on the ceiling. Even Uwe Boll isn't forcing us resort to the Black Market to get a decent copy of a movie so we dont have to watch it on some primitive TV set to enjoy it.It will get worse
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Originally posted by: JediRandy


Excuse me? Sebastian Shaw was erased from ROTJ. So much for "nothing is erased".

Han also goes from a "shoot first, ask questions later" guy to a "shoot only in self defense" guy. Whether you want to believe it or not, those are two very different types of people.

Yeah, outside of his speaking scene... Shaw doesn't show up anywhere else in the movie at all.


The scene with Shaw also completely negates everything that scene stood for for 20 years. I always viewed it from a Christian standpoint of redemption. Yeah, Vader was an evil bastard. But in the end, he repented and came back to the light side and was rewarded for it. He even destroyed the root cause of the galaxies suffering in the process. With the reworking, Anakin was just "trapped" within Vader. So when Vader died, *baby voice* "the good little Anakin was able to go to Jedi heaven". Or as I see it, the whiney little brat that couldn't get his way as a teenager finally got what he wanted. If you don't want to understand that it does change the message at the end of ROTJ Randy, that's fine, just don't deny that it does change it. It's a lame change that wasn't needed and was only done to show that the PT and OT are suppose to be part of the same story.

Originally posted by: JediRandy
So Han should only shoot first? Did Eastwood ever shoot in self defense in a Leone movie? (he did) Did that take away from his character in the Dollars Trilogy?

The Han shooting first scene is bitching because you no longer think something is as cool as it once was... it didn't change his character at all... Han didn't want to "march into the detention center" and he thought attacking the DS was "suicide"... how come it's ok for him to be a pussy then but not during the Greedo scene?

You zone-in on one scene and forget everything else that happened only because is supports your arguement... the Shaw scene is a perfect example of that... "he was ERASED" from the movie! (except for the scene where he spoke) But he was ERASED I tell you!!! Luca$ is teh Suxxx!


I don't know what Clint Eastwood has to do with Han Solo. Have any of those movies been changed to change Clint's actions? My guess is probably not.

Attacking a space station which was created to destroy planets and marching into an area that will likely be filled with troops is suicide. Shooting one guy because he's pointing a gun at you and you don't want to wait and see if he's going to pull the trigger is justified self-defense. They're actually two completely different things, but thanks for trying to make them look similar.

Also, there's another problem with having Greedo shoot first. It makes him look like a tard. He's three feet away and he completely misses a stationary target. He must be a really lame bounty hunter if he can't hit Han from that distance. So not only does that scene change Han's character, but it also makes Greedo look like a total moron. He's three feet away (at most) and he misses by nearly 6 inches. Even without using the sights on his blaster, he shouldn't be that bad of a shot. He's got Han cornered and he completely blows the shot. That is the biggest problem with that scene. Before, Han was taking him out before he had a chance to fire. Now, he's flat out missing a target at point blank range.

We don't zone in on one scene or even one or two scenes. We point out every lame change whether it changes the story or not because they're lame changes. Boba Fett's new scenes in Jabba's palace change his character too. He goes from a cold hearted emotionless bounty hunter to a lady's man. Someone like him wouldn't have any attachments. Attachments create emotions. By adding the needless flirting, he now acts differently. I could probably handle a scene showing him handing a prostitute some credits for her "services", but nothing beyond that.

There are plenty of examples Randy, we've just been pointing out some of the more obvious ones. Having all stormtroopers have the same voice is another stupid change. I know, I know, they're all clones. Well, accents aren't genetic. Ask anyone that's moved to a different country and ended up adopting the accent a year or so later. You're not born speaking with an accent. You learn it just like everything else.

I could go on like this all day, but there's really no point. Everyone here already knows all this and you're probably just looking to get a rise out of us, just like Go-Mer. Well, it ain't gonna happen.
F Scale score - 3.3333333333333335

You are disciplined but tolerant; a true American.

Pissing off Rob since August 2007.
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Originally posted by: zombie84


No, gate weave is not part of the film--its a by-product of the projection stage, and its visibility is dependent on human and technological factors, including how well the film is threaded through the projector and how well the projector is built. On lower budgeted formats and projectors there will be some slight weave--ie, 16mm film only has one perf for frame--but it should never be visible. In fact, the most essentially testing phase of the camera prep before a crew shoots a movie is called a registration test, and its the first thing that is done in order to eliminate gate weave being built into the film by making sure that the movement of the camera gate is rock-solid.
Inevitably, when you see a movie in theaters there will be some very minor weave that is only noticeable if you look for it--this has to do with the fact that you are seeing less than ideal prints that are getting a bit banged up, and run by a projectionist that likely is not doing his job to the best of his ability because its just a mutiplex screening that gets done ten times a day. However, if you were to watch a carefully made and thoroughly examined transfer on dvd, you will notice that gate weave is totally absent--in fact, many now use stabalising filters to eliminate even the most subtle of weave to make sure that the image is perfectly still and natural, as it should be.
I don't agree. The "stabilizing" filters you speak of are not part of the usual film process, which is why such tampering is sometimes criticized by videophiles. Like I said, I personally don't have a preference, but many videophiles dislike anything that deviates from the movie theater-like experience.

Even waaaaaay back in the dark ages (1993) I'm sure they knew how to properly load the film into the telecine (if their fingers weren't too scabbed up from their knuckles dragging on the ground) and the transfer was state-of-the-art at the time, with plenty of $$$ to buy top-notch telecine equipment (even by today's standards), and I'm sure they did a much better job than the average projectionist at today's local multiplex. The quality issue I think resides not with the telecine process itself (or the equipment used) - but with the fact that the resulting masters were made for a much lower-resolution medium (laserdisk).

Your quarrel seems not so much to be with the exessive gate weave you perceive, but with the film medium itself. I'm guessing you would prefer that all movies were shot digitally, completely devoid of film-related anomalies?

Seeing a movie in a theater is still the zenith that every home-theater buff strives for- and yet movie theaters still use plain-old 35mm film and (*gasp!*) projectors, WITHOUT "stabilizing filters", and WITH sometimes inexperienced projectionists with heavily-used prints and projectors. I wonder why it is that so many are willing to accept a bit of gate weave in a movie theater, but not at home?

In any case, I didn't mean to create acrimony. You see excessive gate weave- I don't. I only see aliasing (in SW- not as much in the other 2) in non-anamorphic DVDs. Guess I'm the lucky one then?




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Originally posted by: Mielr
Originally posted by: zombie84


No, gate weave is not part of the film--its a by-product of the projection stage, and its visibility is dependent on human and technological factors, including how well the film is threaded through the projector and how well the projector is built. On lower budgeted formats and projectors there will be some slight weave--ie, 16mm film only has one perf for frame--but it should never be visible. In fact, the most essentially testing phase of the camera prep before a crew shoots a movie is called a registration test, and its the first thing that is done in order to eliminate gate weave being built into the film by making sure that the movement of the camera gate is rock-solid.
Inevitably, when you see a movie in theaters there will be some very minor weave that is only noticeable if you look for it--this has to do with the fact that you are seeing less than ideal prints that are getting a bit banged up, and run by a projectionist that likely is not doing his job to the best of his ability because its just a mutiplex screening that gets done ten times a day. However, if you were to watch a carefully made and thoroughly examined transfer on dvd, you will notice that gate weave is totally absent--in fact, many now use stabalising filters to eliminate even the most subtle of weave to make sure that the image is perfectly still and natural, as it should be.
I don't agree. The "stabilizing" filters you speak of are not part of the usual film process, which is why such tampering is sometimes criticized by videophiles. Like I said, I personally don't have a preference, but many videophiles dislike anything that deviates from the movie theater-like experience.

Even waaaaaay back in the dark ages (1993) I'm sure they knew how to properly load the film into the telecine (if their fingers weren't too scabbed up from their knuckles dragging on the ground) and the transfer was state-of-the-art at the time, with plenty of $$$ to buy top-notch telecine equipment (even by today's standards), and I'm sure they did a much better job than the average projectionist at today's local multiplex. The quality issue I think resides not with the telecine process itself (or the equipment used) - but with the fact that the resulting masters were made for a much lower-resolution medium (laserdisk).

Your quarrel seems not so much to be with the exessive gate weave you perceive, but with the film medium itself. I'm guessing you would prefer that all movies were shot digitally, completely devoid of film-related anomalies?

Seeing a movie in a theater is still the zenith that every home-theater buff strives for- and yet movie theaters still use plain-old 35mm film and (*gasp!*) projectors, WITHOUT "stabilizing filters", and WITH sometimes inexperienced projectionists with heavily-used prints and projectors. I wonder why it is that so many are willing to accept a bit of gate weave in a movie theater, but not at home?

In any case, I didn't mean to create acrimony. You see excessive gate weave- I don't. I only see aliasing (in SW- not as much in the other 2) in non-anamorphic DVDs. Guess I'm the lucky one then?



I speak as a professional motion picture camera assistant who works almost exclusively in film. I am the one doing the registration tests at Panavision Toronto and loading the camera magazines onto the Panaflex Milleniums that shoot the actual movies. And although, yes, occassionally you will see the slightest and almost invisible traces of gate movement on some lower-cost equipment (ie. older camera such as the Arri BL3 35mm model or the Arri BL 16 16mm model), gate weave is pretty much completely absent. Gate weave occassionally gets intoduced in the reproduction stages--perhaps the making of the IP results in a few frames wobbling as they are scanned, and then the IN might introduce a few more frames of wobble, and then the print itself another few and then the telecine a few more; even these on a modern scanner don't add up to anything really noticeable, but just to be perfect, this is why sometimes stabilising filters are now being used--they return the film to its original condition, free of any wobble.

Star Wars was filmed on Panavision Platinums by a top-notch crew. Panavision Platinum's are the most rock-solidly registered cameras that you can buy--the film literally does not move. If you have ever opened up the body of one of these things, the film is threaded through teeth and gears and registration pins over ten times--and just to make sure, a registration test is done in the prep stage as well. That image isn't going to move a millimeter in the gate.

Just as burn marks, scratches and dupe grain are not part of the original image and are taken with the best efforts to eliminate, gate weave is also a foreign element to film. Perhaps it re-creates the shoddy theatrical experience of watching it with a sub-par projector, but its not part of the film. And the GOUT weave is not just the slight weave created through less-than-steller camera gate registration--its very pronounced, and obviously due to factors in the equipment made to telecine it. These factors may include human error, poor print conidition and poor equipment used. Perhaps because it was from the 1985 IP the print already had lots of weave built into the print itself since it is third generation to begin with, faults which were then built upon by the actual 1993 telecine.