I would also like to try my hand at redubbing PotO with the original cast, but doing a few things different than wmgan (certainly no offense intended). I'd just like to give into my little idiosyncrasies as far as matching the film to the music. Since doing so would make the plot somewhat opaque, I don't intend to make it like a movie unto itself, but like a series of music videos, complete with those annoying credits that pop up in the corner at the beginning (optional, of course). This will also result in some funny gender bending moments, although not on anywhere near the scale of the first project I mentioned. The most notable moment will be when the Phantom starts reciting line from the second Notes sequence at the end of the Why So Silent scene. Since the lines were in a note read by Madame Giry in the play, the Phantom will be speaking with her voice for a moment or two before Michael Crawford's voice fades in. I'm positive I will due this at some point, but when? No idea.
I would also like to try my hand at redubbing PotO with the original cast, but doing a few things different than wmgan (certainly no offense intended). I'd just like to give into my little idiosyncrasies as far as matching the film to the music. Since doing so would make the plot somewhat opaque, I don't intend to make it like a movie unto itself, but like a series of music videos, complete with those annoying credits that pop up in the corner at the beginning (optional, of course). This will also result in some funny gender bending moments, although not on anywhere near the scale of the first project I mentioned. The most notable moment will be when the Phantom starts reciting line from the second Notes sequence at the end of the Why So Silent scene. Since the lines were in a note read by Madame Giry in the play, the Phantom will be speaking with her voice for a moment or two before Michael Crawford's voice fades in. I'm positive I will due this at some point, but when? No idea.