Originally posted by: CO
April 1999
from Starburst Special #40
TOM SERVO: They dedicated forty specials to a fruit juice?
TOM SERVO: [McCallum] But that morning when I woke up and found Jar Jar sleeping naked on my bed, I really began having doubts.
There was a point where I said, ‘George, is this working? Is this really...’ and George said, ‘Remember, just remember. Try to find that moment. What did you love to do with your parents? Bug them. Annoy them.’
April 1999
from Starburst Special #40
TOM SERVO: They dedicated forty specials to a fruit juice?
SPOILER WARNING: This interview discusses plot details
Producer Rick McCallum takes us inside the newest instalment in the
Star Wars saga, and looks to the future… By Ian Spelling
CROW: Ian Spelling. Ian Spelling badly. Ian Spelling good.
TOM SERVO: Jar Jar was a pottymouth?
I loved him on paper, actually, more than I did when I saw the animation starting to come out.
Producer Rick McCallum takes us inside the newest instalment in the
Star Wars saga, and looks to the future… By Ian Spelling
CROW: Ian Spelling. Ian Spelling badly. Ian Spelling good.
Ah, yes, that intended audience.
TOM SERVO: WHAT Audience? Does he mean us?
CROW: McCallum probably means the kind that contains Cookies Cookies.
As a film-maker and a person I can say I always had problems with Jar Jar as he started to develop in the screenplay, especially in terms of the language.
TOM SERVO: WHAT Audience? Does he mean us?
Star Wars god George Lucas
JOEL: He's been diefied? The things you miss out on when you're stuck onboard a satellite...
TOM SERVO: Jar Jar was originally a cow?
and ‘How rude!’ and a lot of Jar Jar talk. The kids at the screenings I’ve been in have loved Jar Jar.
JOEL: He's been diefied? The things you miss out on when you're stuck onboard a satellite...
has deemed The Phantom Menace a film for kids (ranging in age from eight to 18).
CROW: Yea, people in their late teens will surely enjoy Jar Jar's Storybook Adventure.
CROW: Are adults ever not annoyed?
Every kid will be imitating Jar Jar. There will be a lot of ‘Mooooey. Mooooey’
CROW: Yea, people in their late teens will surely enjoy Jar Jar's Storybook Adventure.
Young boys will no doubt embrace Anakin (Jake Lloyd) and Jar Jar Binks (Ahmed Best) and probably even Darth Maul (Ray Park).
TOM SERVO: Regardless of the fact that Darth Maul would probably slice them to ribbons if they got anywhere near close enough to embrace him.
JOEL: Yes, be held accountable to no one, have none who are willing to point out your mistakes and offer creative input! That's the kind of mindset that turns me off of independent films.
TOM SERVO: Oh come on! Surely you're not suggesting that the pure vision of a creative producer, unhassled by corperate greed, is inferior to the focus-tested, mass-marketted Hollywood shlock?
JOEL [Looks at Servo]: Manos, the Hands of Fate.
TOM SERVO: .... I.... see what you mean.
“Adults are going to be so annoyed this summer.
TOM SERVO: Regardless of the fact that Darth Maul would probably slice them to ribbons if they got anywhere near close enough to embrace him.
Young girls can root for Queen Amidala (Natalie Portman).
CROW: Yea, the queen who is forced to scrub R2D2, just the role model all little girls need!
TOM SERVO: Look man, leave your sick fetishes out of this interview. There are kids reading.
Then you end up with a story that is so far departed from what you originally planned on. Quite honestly, that’s the reason films are so bad.
CROW: Yea, the queen who is forced to scrub R2D2, just the role model all little girls need!
Yet, the film runs
CROW: See film. See film run.
JOEL: But you just said it's been decided that the film is for kids!
They start to undercut the film you want to make. If you start doing that you can finger-f**k everything, if you know what I mean.
CROW: See film. See film run.
two hours and 13 minutes, rather long for a kid flick. Then there are the adults
TOM SERVO: Who are equally long for a kid flick.
TOM SERVO: Because they ask you questions to which you already know the answer?
Those questions are very hard to ask and to answer.
TOM SERVO: Who are equally long for a kid flick.
who grew up with the first Trilogy,
CROW: The first Trilogy grew up?
CROW: [McCallum] We want them to experience the thrill of being told to hunt down Brutals while reaffirming that "the gun is good."
“That’s the essence. A studio would ask, ‘Who is this movie going to be for?’ and that’s primarily why we don’t work with studios.
CROW: The first Trilogy grew up?
who expect to recapture a bit of their youth. They may very well be in for a shock when they realize that Lucas hasn’t crafted a film for them, but for their children.
JOEL: But that's okay, because later on they'll release the films with duller covers and call them "Star Wars: the Adult Edition."
“We hope that people will say, ‘I want to see how my child experiences what I experienced,’” McCallum argues.
JOEL: But that's okay, because later on they'll release the films with duller covers and call them "Star Wars: the Adult Edition."
“We hope that people will say, ‘I want to see how my child experiences what I experienced,’” McCallum argues.
CROW: [McCallum] We want them to experience the thrill of being told to hunt down Brutals while reaffirming that "the gun is good."
“That’s the essence. A studio would ask, ‘Who is this movie going to be for?’ and that’s primarily why we don’t work with studios.
TOM SERVO: Because they ask you questions to which you already know the answer?
Those questions are very hard to ask and to answer.
JOEL: But you just said it's been decided that the film is for kids!
They start to undercut the film you want to make. If you start doing that you can finger-f**k everything, if you know what I mean.
TOM SERVO: Look man, leave your sick fetishes out of this interview. There are kids reading.
Then you end up with a story that is so far departed from what you originally planned on. Quite honestly, that’s the reason films are so bad.
JOEL: Yes, be held accountable to no one, have none who are willing to point out your mistakes and offer creative input! That's the kind of mindset that turns me off of independent films.
TOM SERVO: Oh come on! Surely you're not suggesting that the pure vision of a creative producer, unhassled by corperate greed, is inferior to the focus-tested, mass-marketted Hollywood shlock?
JOEL [Looks at Servo]: Manos, the Hands of Fate.
TOM SERVO: .... I.... see what you mean.
“Adults are going to be so annoyed this summer.
CROW: Are adults ever not annoyed?
Every kid will be imitating Jar Jar. There will be a lot of ‘Mooooey. Mooooey’
TOM SERVO: Jar Jar was originally a cow?
and ‘How rude!’ and a lot of Jar Jar talk. The kids at the screenings I’ve been in have loved Jar Jar.
CROW: McCallum probably means the kind that contains Cookies Cookies.
As a film-maker and a person I can say I always had problems with Jar Jar as he started to develop in the screenplay, especially in terms of the language.
TOM SERVO: Jar Jar was a pottymouth?
I loved him on paper, actually, more than I did when I saw the animation starting to come out.
TOM SERVO: [McCallum] But that morning when I woke up and found Jar Jar sleeping naked on my bed, I really began having doubts.
There was a point where I said, ‘George, is this working? Is this really...’ and George said, ‘Remember, just remember. Try to find that moment. What did you love to do with your parents? Bug them. Annoy them.’
JOEL: Most kids who remember that probably also remember being punished for it.
CROW: So... George Lucas intentionally set out to tick people off?
JOEL: Who knows. Anyway, time to go. [Picks up Servo]
[JOEL and the BOTS leave the theatre]