Vultural said:
Thunderball - 1965 - 7/10

SPECTRE hijacks a NATO aircraft, seizes two nuclear bombs, and demands ransom.
All 00 agents are activated, with Bond heading to Nassau to investigate the pilot’s sister.
Of course, SPECTRE agents are also there, a mix of useless henchmen and sharks.
Nevertheless, there are two iconic villains in Emilio Largo #2, as well as Fiona Volpe.

Awash in style, this is quintessential 007. Connery’s panache sets a gold standard.
While the impatient may whine during lengthy search sequences, this holds up well.
On one hand I can’t disagree with this and on the other I always appreciated Never Say Never Again having a brisker pace. But the original is done with such art and style and the remake so ham-fisted. the elaborate underwater scenes in the original seem to go on and on, and on. I think Terence did better with DR No and From Russia with Love never really letting his foot off the gas. But Thunderball affords itself a more lavish budget and the cinemascope ratio. Along with the first Scope opening Gunbarrel sequence.
Thunderball is one of the films that absolutely transfixed me as a kid though in its scope and scale and that was seeing it on television. Had I actually seen it in the theater on a wide and big screen i’m sure it would have had a profound impression. Those early Connery films hit the spot in a way nothing else did. And I grew up with Roger as my Bond.
Terence set the tone and the look. But many say Goldfinger really was when Bond hit the big time. And that was Guy Hamilton. I love that film. I have very different feelings about Diamonds are Forever. And I feel a sense of mixed emotions about Remo Williams. That is what he ended up doing after Bond. I also don’t hate Man with the Golden Gun or Live and Let die.