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After watching SherlockPotter’s wonderful Rey Nobody edit, I wanted to respond to a few ideas people mentioned might translate well into other edits (including this one).
1. Delaying Palpatine’s reveal until the mid-point of the movie
While this idea works great in Sherlock’s edit, it’s antithetical to the stated goals I have for this project. Those being that we see Kylo positioning himself against Palpatine early in the film (via the Vader duel) and that Palpatine is a looming influence over Rey throughout the first and second acts. As the audience, we know that Palpatine wants them to fight each other so the most powerful wins, and yet Rey still chooses to engage in conflict with Kylo again and again. Kylo is the only one that rejects this trap. This is a great role reversal and further demonstrates Rey’s flirtation with the dark, while giving Kylo further autonomy that the audience can feel. In Kylo’s case, him defeating a vision of Vader/Palpatine and accepting that he isn’t a Sith leads well into him re-constructing his Ren mask.
2. Kylo Ren visiting the Falcon
Ignoring the costume change for Ren, I also feel that this scene just works better in TFA: Starlight. It creates the impression that Kylo may end up actually going home with his father later on, making that betrayal all the more devastating. Additionally, the scene I’m making between Luke and Kylo in my edit accomplishes a similar thing to this scene - showing us that Kylo is inching his way toward the light.
3. Leia being involved in healing Ben
This works very well on an emotional level in Sherlock’s edit and I agree that it could work well in just about any other edit of TROS. If I were to use this, I would likely cut back on the amount of lines from Leia, and replace a few of the more obviously stitched together ones with AI / different wording. All of that being said, my nerd brain has a hard time accepting the logistics of this. As I said, this moment works very well on an emotional level, but I personally struggle a bit with the mechanics of how this would work within the rules the film establishes for Force healing. This film already introduces the Force healing ability, and this maneuver further complicates how exactly it works - i.e. now you can use somebody else as a conduit from across the galaxy. I also feel that Rey alone being the one to show mercy and sacrifice leads better into Ben’s sacrifice for her later on. It says more about Rey’s character if she chooses to heal Ben without being told to. In fact, this is likely why I’ll not have Luke say anything to Ben on Exegol before healing Rey. TL;DR - this movie definitely relies more on emotional beats than logic already, but I might want to try avoid introducing additional Force mechanics beyond what the film already asks the audience to accept.
I should clarify that none of these things should be taken as criticisms of Sherlock’s edit. Go watch it if you haven’t already! He did a really good job. That’s exactly why I’m posting these responses here and not on his thread, because we are ultimately dealing with completely different beasts here. And I’m still planning to incorporate several ideas from his edit that I highlighted in the OP.