Here’s another sneak peek shot: an improved version of the Mos Eisley entrance shot. The 2019 version is so low quality because of the DNR that I didn’t use it at all aside from the Speeder itself and the womprats. The 2011 BD version wasn’t much better because of the messed up color space, so I had to spend days rotoscoping the speeder, adding motion blur and smoke and creating a completely new matte which is a composite of all the sources in order to make things look more realistic and cohesive.
