Great notes! I’ve definitely been thinking similar things - if not more - about the foley work. I tried to get away with less back then and could only do spot-checks throughout the entire two hours for so long before I burned out.

But with this as a solid base that I’ve now spent more than enough time away from, I am excited to polish that aspect off. Especially as the season 2 score comes out and we’ll have all the thematic pieces / motifs to chew on. Should make the work a bit more creative and cohesive, rather than just technical and speculative. I’m excited!