Got another change to report. I decided to change the flashback of Domergue’s Got a Secret to from color to black-and-white. Since I already gave The Four Passengers the sepia tone treatment, I felt that it wouldn’t hurt to take it further by doing something similar to the Domergue flashback. The main reason I don’t just go for sepia like The Four Passengers is because Tarantino is notorious for being inconsistent with the visuals, and thus, it felt more stylistically appropriate to go with B&W this time around.