I’m referring to the so-called unrestored version seen theatrically with a radically different color timing Chris Nolan was responsible for. There was many a complaint and discussion.
original 70mm prints looked nothing like that.
It’s safe to say modern teal computer colors weren’t on the mind of Stanley Kubrick when he filmed 2001.
Oh OK.
Well, remember Nolan can’t perceive certain colours, so there’s that.