So the trick with the flashbacks being interspersed throughout the series is finding a natural way to transition to them. I think I’ve found something that works.
Whenever a flashback starts, it always transitions from a shot of Sol. Whenever the flashback ends, it transitions into a shot of Osha waking up. The only exception is the final “the real story” one, which starts with Sol having Mae captured, and ends with Osha approaching the Sith mask.
So there’s a consistent language to the flashbacks. They always bridge Sol and Osha together.
I’m going to make the first 3rd of this edit available for previews this week, so if you’d like to see it, send me a message.