That’s cool to hear! About the screening, not the matte boxes showing.
I did notice that the 4K80 Fuji source had more visible matte boxes than the prints for the other two films. Perhaps it’s an issue fully baked into ESB’s original form?
That’s cool to hear! About the screening, not the matte boxes showing.
I did notice that the 4K80 Fuji source had more visible matte boxes than the prints for the other two films. Perhaps it’s an issue fully baked into ESB’s original form?