One of my favourite things I’ve done in this whole TPM thing, which is just talking about Doug Chiang and his process with George and with design. It’s so fun combining so many different sources and intercutting everything to tell one story. It’s great, and I’m enjoying it.
I’ve watched through my 2nd rough cut, and am now making adjustments, both technical and story-wise to get everything feeling smooth and cohesive, which means cutting and rearranging materials. Right now I’ve locked Part 1-4, which leaves 5-14. Hopefully it’s done soon-ish.