Yes that is considered that it is by the time re-release trailers pop up that we start to see the visual language of ESB of the past camera towards and off away from camera the opposite direction in trailers.
Star wars very much used straight shots either at or away from camera and would crash cut or hard cut.
This does indeed follow that principle.
The Falcon Leaving the Death star which ends abruptly with a hiss and a pop in the soundmix you could be correct it was perhaps one shot that was to hold on the matte painting of the death star a while letting sound do the work.
It’s good to have that pop as a reference point. However I have not attempted to animate the last frame of the falcon to go past camera or anything just yet. I have no idea how many frames it would be until I count that out from last frame of Falcon to the audible “pop”.