FWIW I agree. If the original shot of some speeders and people going by that originally opened the scene didn’t have so many foreground antics added in, I’d like to use a version of it without the silliness but with the SE backdrop so it fits in a bit better. I’m not unhappy with what’s in my current version, but it’s an area ripe for improving upon.
I think guy with No name has done a good job and I don’t want him to feel people are asking too much of him… But yeah good what he did here, but also we can pick fault with the original film… Why is the top of the moisture vaporator missing?
That could mean that the shot should be cropped?.. I know I saw an alternate angle more from above that did not have to deal with the landspeeder shadow animation and probably not the missing top of the moisture vaporator but they went with that angle probably to see what could be achieved and perhaps fell out of their depth a bit in 1977 but you know I guess innovation whilst having mistakes included, is better than no innovation without mistakes and playing safe. Pushing the envelope was what it was all about and that rings true for Special Edition also, but in a bad way. The CGI was put center stage over the film especially here in this part.
If this shot was commissioned today it would be more about the top of the moisture vaporator probably more than anything else I reckon.
As time as gone by CGI although a very essential and useful tool in the box of tricks It’s maintained it’s big front and center accolades but also slid into the background and kept itself subtle. The big wow factor is now gone…
The telegraph poles and wires in the background are a good thing too they don’t detract from the shanty town Mos Eisley…