If I capture in a 50i PAL Video source, which was originally based on a Feature Film, what is the best technique to create a new progressive encode?
I'm assuming I have to somehow slow down the (de-interlaced) captured file, and then encode the file out with 2:3 flagging so that I ultimately get a 29.97fps file with 3:2 pulldown.
This will only work if the film has been produced from a sped-up film source, and not if the content has gone film > NTSC > PAL ?
Many Thanks for any pointers!