Rendering out a workprint for the Rey Nobody alternate version of Ascendant, thanks largely to Spence.
It’ll just be a low quality, non-color graded video to be able to see how the pieces fit together. Once it’s finalized, I’ll proceed to reapply the LUTs manually to the entire film and sort out the jigsaw puzzle of all the subtitle files that’ll need to be synced up again.
Here’s the change list:
- Thanks to Sir Ridley, a different version of the same crawl is used in order for the title font to match TLJ (hugely important)
- The hint about Palpatine’s ability to possess (certain?) people is moved back out of the opening sequence and where it originally belonged, for clarity’s sake given that Kylo no longer has an ace in the hole of knowing Rey’s parentage
- Removed Rey sensing her parents during her first Force vision where she sees the Sith throne (could perhaps use a bit more, but it’s serviceable)
- During Kylo and Rey’s Forcetime conversation right after Rey meets the village girl on Pasana, removed a line or two that are moved to the duel in Kylo’s quarters
- Removed Rey saying she’s sees Ochi’s ship before
- Yellow lightning, to add a little distance from what was intended (in-universe logic aside) to tie her into Palpatine (using work by skenera two years ago)
- Used Spence’s version of the duel in Kylo’s quarters, and restructured the lead-in from Poe and Finn similarly (used Spence’s literal audio from the sequence as he provided it)
- Used Spence’s version of the hangar revelation scene (again used lifted audio from Spence)
- Removed Rey’s lines, “He killed my father… and my mother” (last instance of using audio right from Spence)
- Restructured one scene around the Ach-To sequence, also removing Finn sharing his inference that Palpatine was seeking Rey as a child
- On Ach-To, removed dialogue about Rey’s Palpatine heritage
- Removed several lines of dialogue as Rey and Palpatine converse, following Spence, though also removing line, “She will take her revenge.”