I think it works pretty well, but I wonder how are you gonna put Kylo in the Hallway scene?
I’m in the middle of reading Edward Dmytryck’s book, “On Film Editing.” The most recent chapter I’ve read has a rule to cut for proper values rather than for proper matches. To quote the book:
“If the cut is dramatically correct, it is remarkable how often the bad match will be completely unnoticed by the viewer. The important thing here, as in so many areas of cutting, is to know where the viewer will be looking. The mismatch which the cutter sees so clearly on the moviola is probably far from the viewer’s center of interest.”