Gun Woman - 2014 - 5/10
AKA - Nyotaiju Gan Ūman // 女体銃ガン・ウーマン

Exploitation trash, aimed at the US market, per Los Angeles and desert settings, and a pair of talkative American hired guns.
The redeeming element about exploitation - even trash is often enjoyable and this does have potential.
Basic revenge plot, the baddie is a homicidal whack-job, and the anti-hero (known as “The Mastermind”) is cold, clinical, utterly goal focused.
Most of this is explained and described in lengthy exposition between the hired guns.
One asks questions, the other warbles away. Like a bad infomercial.
The pace is pretty darn slow (ahem, padded), and the limited body count shows signs of budget restrictions.
Gun woman herself might have ten lines of dialogue, though the movie is about her (no, it’s about Mr Mastermind).
Her zero thespian skills are compensated during the final twenty minutes or so, when she performs all her fighting, killing, stabbing, shooting, general bloodlust, stark naked. No foggy lens, strategic plants, digital manipulation.
All Asami, all the way.
For many exploitation hounds, that will boost overall scores.