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Could he not just be subbed in this scene by his identical twin brother Dolf Yularen?
Bummer indeed! Either way, I’ve made a lot of progress on this episode now. Given the start a little longer to breathe, and I’ve done all of the intercutting through the plot of Supply Lines, now with just the last few scenes of Liberty on Ryloth to go. Feels good though, look forward to getting this one out to y’all.
Could he not just be subbed in this scene by his identical twin brother Dolf Yularen?
I wish! But my other option worked just fine, at least. It’s all coming together nicely though. I’ve got the structure and audio of the ending all working, I’m just working on some colour matching to try to extend Anakin and Ahsoka taking out the bombers now, then I should be able to wrap it all up and render it. Not long now!
Edit: Watched through my workprint and I’m really happy with the structure. I’m going to remove a few transitions and smooth over the audio in a few places but I think this episode comes together well.
This is my version of the Ryloth story, originally told over five parts. I use only Storm and Liberty here because it focuses on the core plotlines of this arc, which also happen to be the strongest - Ahsoka’s first command, Anakin and Ahsoka breaking the blockade, Mace Windu meeting with Cham Syndulla, and the politics between Cham and Orn Free Taa. Because these episodes share some characters (notably Mace and Wat Tambor), they tied together nicely. I’ve placed it here for character balance in the season, and as a light follow-up from the events of my episode Assassin, which features Neimoidian subterfuge.
I’ve changed this since the original because the original jumped around between too many plots, since Supply Lines had two on top of the core from Storm. The Cham content in Supply Lines wasn’t as valuable as that from Liberty, and as much as I like Bail, his plotline was too disconnected from the main plot and too heavy on Toydarians and Jar Jar. I didn’t use Ambush here because it’s a very weak episode (other than that one scene with Yoda and the clones in the cave), and I didn’t use Innocents of Ryloth because it was a fairly middling and quite unimportant episode (even accounting for Waxer, Boil, and Numa, which is a cute plotline but hardly core.)
As it stands now, this episode tightly tells the story of both the ground and air attempts to liberate Ryloth from Separatist occupation, highlighting Ahsoka via her first failiure and the lessons she learns from it, and Cham Syndulla and Ryloth’s politics which’ll pay off more in Bad Batch and Rebels. Pleasantly, the villains in this one are quite competent, so there’s genuine threat.
Noteworthy changes:
This episode (re)release took me a while as it was a brand-new episode created from scratch, but there’s nothing radical needed for the next few episodes so I hope to get them upgraded to 2.0 standard more quickly.
Opinion time - what do you guys prefer?
-OR-
I think I prefer option 2, as it creates more of a mini-arc in the background, but I’d need to see it implemented to know for sure.
Technically, both are possible. The dialogue in the discipline scene will definitely work for both versions, and I’ve checked that I could remove the scenes from Holocron and still have it paced correctly.
Opinion time - what do you guys prefer?
- Ahsoka DOESN’T get punished for her disobedience at Ryloth (s01e06), but remains offscreen until the Holocron Crisis arc (starting s01e09), where she is disobedient at Felucia, then gets assigned the guard duty that pays off in that episode.
-OR-
- Ahsoka does get punished for her disobedience at Ryloth via a new scene added at the start of the following episode (s01e07), being assigned guard duty that’ll explain her absence until the Holocron Crisis (s01e09), in which it’ll be resolved. In this version, we won’t include the Felucia scenes.
I think option 2 though it depends on how well it will flow with the ep 7 material
Opinion time - what do you guys prefer?
- Ahsoka DOESN’T get punished for her disobedience at Ryloth (s01e06), but remains offscreen until the Holocron Crisis arc (starting s01e09), where she is disobedient at Felucia, then gets assigned the guard duty that pays off in that episode.
-OR-
- Ahsoka does get punished for her disobedience at Ryloth via a new scene added at the start of the following episode (s01e07), being assigned guard duty that’ll explain her absence until the Holocron Crisis (s01e09), in which it’ll be resolved. In this version, we won’t include the Felucia scenes.
I’m leaning towards 2 if it fits properly.
Loud and clear, folks.
I recently watched the newest versions of episodes 1 and 2.
Ep 1: from what I remember of an early version I watched a while back this is considerably better. Still feels a bit rushed as characters jump between locations rapidly, but not too much so. it seems like the important moments are all intact and it never gets confusing or jarring. the one oddity for me was the very brief intro to ventress as a seemingly prominent villain quickly followed by her abrupt disappearance. her presence in the episode just felt out of place. impressive work getting all that content down to 20 minutes and maintaining character development and coherence!
Ep 2: Again this felt like it had a fairly quick pace moving between locations but I understand it’s best to get through these subpar early eps as efficiently as possible. this is done very well again. i think i noticed a transition or two that felt off/abrupt (e.g. ahsoka’s dialogue cuts off i think during the rescue search “is anybody out there?”) and the first scene of grievous in hyperspace with the fade out/in transitions on either end (i think i’d eliminate that short scene altogether since another hyperspace grivous scene shows up soon after and is more effective imo). also, the malevolence gets pulled into that planetoid awfully quick lol.
those end credits are fantastic! bravo!
still not a fan of the opening expository text. half as much would be fine i guess but personally i find it unnecessary as the majority is communicated or implied in the episode but i’ve seen you state your case for it several times here so…[shrug] not really a big deal and it’s well done aesthetically.
these edits are such an improvement! the only thing left that really needs work is the animation ha! it’s my wife’s first time watching and she compared it to the old nancy drew video games she played as a kid. i keep telling her it gets better. luckily her bar for 3d animation is already quite low. lol
can’t wait for more! i’m continually impressed by the level of dedication and results you’re achieving on this!
Thanks for the feedback, djonesed. I’d agree with your critique of both episodes, but I think I’ve reached the limits of my options here (unless anyone else has an amazing idea). I think they’re my weakest two episodes, but they’re good enough, and at least (in my opinion) far better than what we were originally presented with.
I will rethink the Malevolence fades though, just in case.
I know that using opening text isn’t ideal, but as you’ve acknowledged, I think it’s the best option I have available for keeping the quality of the actual body of the episodes high.
Keep it coming!
This is the episode originally called Duchess of Mandalore, where the Duchess is attacked on Coruscant by the Death Watch following her escape from them earlier in the season. It features a good amount of politics between the Republic, Separatists, and Mandalore’s two main factions, giving us some good interesting ‘third party’ content early in the series, as well as that valuable Mandalorian focus which I’m keeping present throughout my show.
The content from this episode is largely untouched. It’s split from the prior two episodes in the original ‘Mandalore trilogy’ mainly because they didn’t need to be back-to-back, and this way, we get two bites of the Mandalore apple this season, helping reinforce that Mandalore is going to be a running plot. We also get our first sight in TCW:R of Padmé without it being boring, and our first sight of Coruscant’s underworld. We also get some scenes set in locations originally designed by Ralph McQuarrie during the production of the Original Trilogy, back when Coruscant was known as ‘Had Abaddon’.
I’ve added a couple of scenes originally used during the holocron heist arc, where Ahsoka is disciplined by the Jedi council (originally for insubordination at Felucia, now in context for insubordination in our previous Ryloth episode). The Jedi assign her guard duty of the Jedi archives, which effectively explains to my audience why she’s not present in this or the next episode (Nightsisters arc), until she rejoins the plot during the following episode (Holocron Heist arc).
Noteworthy changes:
Onwards now to Nightsisters, which only requires basic polish, then the Holocron arc, where I’ll remove the scene I’ve moved to this episode.
Very cool. I need to catch back up, having gotten distracted by my own projects.
Nearly done with Nightsisters too. I improved a lot of the audio transitions, and trimmed a couple of scenes. Hopefully get through that tomorrow. It feels right as the last episode before the two-part season finale, following the tradition of having a big escalation before the end of a season. And it gives a nice deep dive into the two least explored major villains of our show, so I think this whole season is going to feel very “right” when it’s done.
The Nightsisters arc is a popular arc with good reason. It focuses on the internal politicking of the Sith and the Nightsister/Nightbrother darkside cults, has some great development for Ventress and a little development for Dooku, and gets the ball rolling on the Maul plotline which is very important to the show. I placed it here in the chronology because the Maul(/Mandalore) content is so good that I wanted to make it the ‘spine’ of my show, an ever-present threat that throws the idea of the Clone Wars just being a predictable two-party conflict into doubt, that adds threats and characters that we don’t know the outcome of even if we’ve seen the movies.
Ahsoka is absent from this episode, but since our last episode put her on archive guard duty, that’s explained well enough (well, better than the original episode, which didn’t explain it at all, at least).
Noteworthy changes:
Onward now to the Holocron arc, the two parter which concludes this season, which shouldn’t take too long to polish.
Oop, just caught a little audio glitch in s01e08 - Children of Night. I’ll fix and reupload that soon.
Edit: It’s fixed and rendered, and uploading now. Should be about two and a half hours from now until it’s uploaded.
Edit 2: Uploaded now as v2.1.
Good progress on s01e09 - A Strike at the Heart (our holocron heist episode).
I’ve removed the scene I’ve shifted to an earlier episode and got the main body all polished up, including some visual and audio transitions. I’ve also smoothed out the ending scene, which I was never quite happy with. I’m just going to see if I can add a little context to the new beginning of the episode, then I can wrap it up and release it.
Here’s the opening crawl:
I reference Bane’s ‘network of specialists’ in order to justify the fact that he has two apparent crews in this combined episode. I also specifically call out the difference between general ‘archive duty’ and the specific ‘library floor’ to smooth over Ahsoka’s assignment to the archive two episodes prior, but her being walked through the library (and holocron vault) in this episode. The archive can contain many different areas, and this is now a more senior post (for ‘humility’, which was the point of her discipline). I mentioned that it was Yoda who put her there as a way of tipping my hat to a cut scene of Yoda having a feeling that an attack on the vault might be coming. I also chose to emphasise the brief moment of peace the characters are currently enjoying, as it’ll be the last they get for a good while now, and I’m setting up this group of episodes as a brief lull in the war.
I’m going to re-watch this in 5 episode chunks alongside your 2.0 rollout since I haven’t had a chance to check this properly yet (I watched the first 4 episodes in January then got busy).
They work great from a storytelling point of view. I haven’t watched Clone Wars much and I wasn’t confused by anything. I didn’t notice any plot holes and each episode zipped along at a nice pace. You’re doing a great job reshaping the narrative! Episodes 2, 4 and 5 are flawless as is IMO (3 is 99% perfect) but I noticed some edits:
I’ll post more thoughts as this rollout continues.
Brilliant Meeko, thanks very much for this! I do allow myself a little leeway on audio transitions where I can’t quite make it work, since the original show did have similar issues, but I always re-check any raised issues so I’ll see what I can do with these again!
Oh, and for those wondering about the black bars in a couple of early episodes, those’re fixed now.
These are two Cad Bane centric episodes combined to essentially make the hostage crisis in the senate building a distraction to help enable the holocron heist, using the idea that Smudger9 had for his movie.
This is the first of a two-parter, the second of which combines Holocron Heist’s follow-up episodes, split here mainly because the episode that follows this had a lot of plot happen in its narration, which I needed to preserve via a new opening crawl.
They’re a great set of episodes, and a fitting season finale - Cad Bane is an excellent new villain, we get absolutely all of our main characters going on a great high-stakes romp through Coruscant and space, and we get some great hints at Palpatine’s larger plans and a good chapter in Ahsoka’s growth (more on that in the detail for s01e10).
Compared to the prior version of this episode I’ve only really added polish, mainly including a slicker start (and introduction to Bane) and a cleaner ending. I also took out Ahsoka’s failiure at Felucia and subsequent discipline, since that scene’s now used earlier this season (as discipline for a similar failiure at Ryloth) to help justify why she’s offscreen for a couple of episodes so early.
Noteworthy changes:
Onwards now to Future of the Force, the second part of this duology which completes the first season! I’m away for a little while, but should have it out to you all mid-January.
I’m hoping to find some time at the end of my holiday to watch the v2s of everything to date.
I’m finally getting back into these.
Not much to critique at all for “Assassin” except for one crazy idea - What if this were 1x01? A few dialogue trims and a new intro text could set this up as some sort of thing where this youngling Ahsoka is being sent to rendezvous with her new master on the front.
The appearance of Gunray, Dooku, and Sideous would link viewers back to Star Wars I, setting this up as a new chapter in that universe. The introduction of Ashoka would also clearly establish our new focus character, who would then become part of the more familiar team in the next episode.
We’d get a proper intro for Ventress, and maybe even the implication that the interrogation (brief as it was) provided the initial knowledge of Grievous and his weapon.
At the end, perhaps Ashoka could be delivered to Yoda, who then would send her to ObiWan and Anakin.
Like I said, it’s kind of a crazy idea, and it may not be worth the effort, especially as you’ve moved on again to the end of season 1. I just thought it might be interesting enough to mention.
It’s a decent idea, for the reasons you mention, but I think Christophsis is still the sensible first step.
Ahsoka is great, she’s the heart of this show, she’s now extremely popular, and her legacy is clearly really important to the current world of Star Wars releases. However, it’s worth remembering that Ahsoka was very unpopular on release - by design, so that audiences could see her growth. Also, Clone Wars was a new entry in a franchise which had never once mentioned Anakin having a padawan, especially a youngling (Vader’s secret apprentice being something very different). Because of both factors, the original show had to position her very carefully knowing that she was (1) unexpected (and possibly unwelcome because of that) and (2) at the beginning of her maturity (and for some, again unwelcome because of that). The show ultimately was justified in the way it introduced her, but it did put people off at first. So there’s already good sense to placing Christophsis before a solo adventure.
But also, I think one of the important audiences for this edit in particular is people who either never picked up Clone Wars because of its original (and ongoing) poor reviews, or people who checked out the original Clone Wars but gave up on it early because of the early poor quality, of which Ahsoka’s unwelcomeness was a factor for many. I’ve done what I can to minimise some of Ahsoka’s more abrasive traits whilst retaining a lot of the weaknesses she ultimately grows through, but I think I still need to make sure that Ahsoka is used carefully at first and not forced upon the new viewer, so she’s not overly highlighted at first and there’s lots of other interest and quality to keep audiences of this edit engaged until they grow to like her.
It’s for these reasons that I wanted to ensure the first season was strong, varied and interesting (Mandalorians, Domino Squad, Nightsisters, etc), and with Ahsoka’s appearances being as decent as I could make them (her care for Plo Koon, her boldness/rashness well applied with Luminara, her victory at Ryloth after her earlier failure, her competence and wisdom in the finale). But I wanted to do this with control and balance, hence moving a few scenes around to help explain her absences, so the early skeptic will find her present but not overwhelmingly in focus.
Additionally, while Cloak of Darkness is a decent-ish episode, it is one of the weaker ones in this season, which I think benefits from being made a bit more relevant to the ongoing plot (the hunt for Grievous) once we’re more invested in it. And having the three weakest episodes up front (Cloak, Christophsis, Malevolence) might be too much of an ask.
So yes, it’d be a good introduction to Ahsoka, but I think she’s better framed initially in context as a part of Anakin’s story through the Clone Wars, who grows quickly to the fore once the audience has warmed to her.
I haven’t seen you mandalorian episodes although I seen the changes in each and ever single one of them and by the looks of it. Therefore, I’m creating a Clone Wars Stories (Canon) that happen in the time period to make a bit of changes in some of them. Nevertheless, I’m not be able to get as many edits completed by the period as Education is important and schooling. If you’re willling to contribute ideas, as this is WIP project I will accept your offer