Well, the most effective way to shorten Cyborg’s backstory would be using his theatrical scenes instead of ZSJL ones 😉

I’ve just cut scene with his mother talking about him helping some girl in college (there is later a better scene with the exact same message), and the Bear & Bull(sh*t) scene 😃. I don’think cutting too much Cyborg is a particualry good idea. That being said, I’ve decided to use theatrical epilogue, which isn’t centered on him.

In my “Stage 2 edit” I’ve cut the whole thing down to 194 minutes (including some theatrical bits here and there). I’m not sure if I will try and cut it down more. It’s also reframed to 2.35:1 (or more like 2.31:1), and uses that as the opening titles: