Yep, the light is red for the magma. I really wanted to give the scene that extra drama because even though we know she’s going to be rescued I believe it still gives a bit of unconscious tension 😉

It’s definitely a more prolonged sequence than in the theatrical, but it feels to me like the theatrical is rushed in this regard. You’re right that the sound effects are not totally there, a second pass at those will hopefully make it more natural like the chasms are opening closer and closer as time goes by.

I’ll definitely see about adding more camera shake and dynamism in the wide shots after playing around with putting some chasm motion in the upper right.