Sherlock, are you working in mono or stereo? Just curious if those Finn lines you moved are separate from the other tracks where you pulled it from. I’m assuming it was, but the music just kind of bleeds into the track with the dialogue sometimes. I do think the lines need to be cleaned up a little.
I don’t necessarily have a preference between the versions. I do see what you mean by Poe’s line about the landing gear leading right into the scene of the ship crashing. I do like the way you’re showing Rey kind of distracted. Though I think it would be better to have it to where she only hears the whispers when she is holding the blade.
(I also appreciate the Inigo Montoya reference! Haha)
I pulled the Finn lines from the center channel, so the only other things left to do would be to try applying some noise reduction to them, and/or masking the music with some other audio.
Yeah, I wasn’t sure if we were going for a physical connection kind of thing, or just the Dark Side calling out to her - a siren call, as it were. (Maybe we could go with the middle ground, and cut to an insert shot of either the Dagger, or else of her Endor vision?) I’m definitely open to other suggestions for padding out the scene; personally though, I’m still worried that V1 is too rushed.