The important thing about the CAPS films is that some early home video releases were struck from a film print.
Back in the early technicolor days, when they were doing test prints to get their colors to look right, which was known to be different from the actual paint colors, that’s preferred.
I don’t think the same is true of the digitally sourced animation. In those cases a raw digital transfer is probably expected to be more accurate (if less warm).
Good info there, nesboy43.