Thank you for the tips sir. I’ll see how my handbrake encode comes out. For my next versions and future edits (dare I choose to endeavor in more) I’ll use your adobe workflow.
Might I add, the color grading to match it to the original 4K HDR material is difficult as hell. I completely understand what you mean by it’s the best you can get it. I can spend hours for each scene playing with every parameter to find the best match possible.