Post #1398466

I pin that more on the acting than the dialogue itself, a reason why Christopher Lee and Ian Mcdiarmid almost never seem to have any of the bad lines, comes with their Shakespearean classical training. I buy that Lucas was reaching for a 40s style, which sounds god awful to the ears of most modern audience members, nobody has to like it but it should be understood for what it is, Double Indemnity could make you wince if you’re not used to it.