That’s good, but it needs to fit to some standard structure, which I currently have as six lines of text, of which the first and last are shorter.
Since I have to do about fifty episodes, I figured the very first line might position the viewer chronologically, and then the second would give the state of the galaxy.
Your fourth line wouldn’t quite work, since at the start of the episode we believe it’s Obi-Wan who’s requested a padawan - Ahsoka is ostensibly his, not Skywalkers, and ‘officially’ it’s only Yoda that changed that plan (though it’s implied later that Obi-Wan was in on it).
Your second, third, and fifth lines are all good though!
I actually don’t think they do have to fit a certain structure. There’s a natural assumption that each episode holds something new or different than previous episodes, and I don’t think it’s that much of a stretch for the viewer to expect that different episodes will have different needs re: to expository information right up front. Plus, it can allow you some creative freedom when your hands are already tied in so many ways given the source material. I think this idea goes back to my previous post about pacing/tightening. Everything should serve the larger purpose rather than a fixed structure for the sake of structure. If a longer set of title cards make sense, then I’m all for it. But there are few things more aggravating to a viewing experience than sitting through something that doesn’t need to be there – indeed, something that is only there to fill a structural void. I won’t miss what I don’t miss!