I think it was, you’re just not looking in the right places.
And as far as people being overlooked, it was Kathleen that brought him over to Mandalorian after she fired Josh Trank and hired Favreau. Mandalorian started as the unproduced Boba Fett movie. Kathleen pulled him to help develop it as a series with Favreau before Star Wars Resistance, and that’s why he was overseeing but not show-running that series. That’s also why he learned to direct from Johnson, because that’s how long ago they were working on season 1.
Like, everyone wants to demonise her or blame her for what they don’t like, but then they don’t credit her for what they do like. She was getting Mandalorian off the ground prior to firing the directors of Solo.
But at the end of the day, as with any film, the director has that final say on set. If you wanna complain about films not getting things right, blame them. Abrams is the main culprit, even if you hated TLJ Abrams signed off on that while he was still shooting TFA.
I just feel like we’re always looking for excuses to blame the woman for what the men do wrong and not to credit her for her astute decisions. Filoni is great, don’t get me wrong… but he’s not the messiah. Film and TV aren’t ever made by just one person.
You’re making a lot of assumptions again. I never mentioned Kennedy by name, nor Abrams or Johnson. I’ve only vaguely criticized the ST in a very general way and I appreciate it if you didn’t compare me to certain angry fans simply because of some very superfluous similarities. I don’t think they’re awful movies, there are many elements that I actually liked, but I’m just not particularly impressed by the overall trilogy and how it concluded.
I stand corrected on several production details though. I didn’t know they were “preparing” Filoni for live-action as early as TLJ. I will say though that I’m somewhat tired of the “film and TV aren’t made by one person” argument. Yes, its true that many people make movies/series great, but directors and show-runners are there to keep all that talent together and keep their input within a cohesive framework so that the final product fits within his/her idea of what the movie/series should be. Filoni’s obviously not the only reason TCW, Rebels or The Mandalorian are good, but he’s obviously one of the main contributors to all of them.