there’s something about Snooker’s original concept shot that I really like:
It’s that little slowdown of the Falcon as it reorients itself to go to Hyperspace, along with the punchy Hyperspace sound placed just so in the space between musical notes and the speed of its acceleration. It just feels right to me, though I do like your take on the path.
All of this!
I’m torn as to which of the two I like more, but I’m gonna have to lean towards A for the reasons others have mentioned - while I love the ESB-esque model of B (complete with ESB’s weird yellow engine glow), option A fits aesthetically with the ST much better.