I think the trick to different versions of DOTF being cut in isn’t just making sure it’s an orchestral piece being used (whether that’s the LSO or another symphony’s recording) but selecting the right movements. You can evoke the feel of DOTF without going straight to the big horn parts or the huge choral parts. The string rhythms alone (with percussion hits) can do a lot, and are a lot easier to cut since you’re not having to worry about melody lines getting cut up.
Post #1335639
- Author
- Broom Kid
- Parent topic
- Dom's (Possibly) Useful TROS Edit (WIP)
- Link to post in topic
- https://originaltrilogy.com/post/id/1335639/action/topic#1335639
- Date created
- 15-Apr-2020, 2:45 PM