I think there’s probably a middle ground between that and what the film gave us, where you’re still dropping into the battle with some build up (but not making it a whole sequence).
I don’t know, the primary problem with the Mustafar sequence isn’t so much how frenetic it is, it’s the geography. There’s no shot that shows where you are and where he’s going. Whether that shot comes after he’s bodyslammed someone, or before he starts his rampage - the biggest problem with the sequence is that missing shot showing you where he is and what direction he’s trying to go. Abrams & Co. just cut into the bone trying to save this sequence and I think they fundamentally broke it in the process.
That’s why I’d say an establishing shot of some sort might help.