Gosh, even for virtually no color correction, that’s a beauty.
I’ll be honest, TPM is the hardest one to work on.
Also, while I did get a new job, it’s on hold due to the pandemic, but rest assured as soon as I start having more income I will be saving up for a new machine with which I can actually get decent rendering speeds.
In the meantime, I will still be doing preliminary SDR grades as soon as I get a hold of the new 4K discs.
I don’t know about you, but I’ve found the PT to be easier to work on, but global correcctions don’t work on a few scenes. For TPM, I’ve found that I have to treat the first part of the film a little different and the the rest pretty much works as a whole. I detest the magenta tones that the actual film had in the first hd transfer (not sure when it was done for TPM, but 2003 for the OT) so I have been working on the Republic ship explosion to tone that down. Qui-gon and Maul’s short duel on Tatooine might need something different as well. TPM is the first of the film films that I think I have a decent color grade on as well as a completed edit (I loved the theatrical cut but I hate puppet Yoda). For ATOC I’ve had to separately adjust the Tusken Raider scenes because they come even more purple unless I do. And I’ve also been standardizing the opening crawl and end credit colors.